It's easier just to pirate than keep up with all these streaming services.
- You get the benefit of high quality (true 4k, not stream compressed "4k") and no buffering.
- Plex, Radarr, Sonarr automatically downloads and categorizes your content for you, you can just sit back and enjoy your content.
- Edit: Plex et al are not the *only* ways to download content, not sure why some replies are thinking so. I too can type in a show into a piracy site, click the magnet icon, and start immediately watching it. I personally don't even use Plex, Radarr or Sonarr myself, it was just a suggestion. In contrast, I can't just type any show into Netflix and watch it, since it might not even be on Netflix! Then I'd need to get on justwatch.com just to figure out which streaming service is playing the show. This is harder than piracy in my view.
- You can use whatever media player you want without having to go through a browser and its DRM. I use mpv and filters like Anime4k to automatically upscale my content, something that I cannot do via a browser or otherwise without the physical file on my hard drive.
- You're not geo-locked to content, just because you're not in the target country doesn't mean you wouldn't want to watch it.
- Oh, and you can share with as many of your friends as you want without a restrictive password sharing penalty like Netflix seems to want to start enforcing.
Now, what would be a good model to stop such piracy? Something like Steam or Spotify but for movies and shows:
Perhaps a paid Plex server where I get all content from every distributor for a flat fee, and the service provider can then pay out to each distributor their portion of my subscription based on number of views. I retain access to the physical files without DRM so that I can do with them what I want, such as applying mpv filters.
Hell, it's probably in the best interest of all distributors to band together because clearly everyone having their own subscription service is a race to the bottom. See Netflix here struggling to make original content because major distributors like Disney and Paramount have already left. See CNN+ that shut down one month after starting. Due to the tragedy of the commons, where each distributor thinks they can make more money via starting their own service, this hypothetical new service would have to be some sort of joint venture between them all so that no one is incentivized to start their own.
... and you are not forced to use those grotesquely and absurdely massive and complex google(blink/geeko) or apple(webkit) based browsers (and their SDKs), in other words, open source drm software which is "obfuscated" via complexity and size: you can use the media player you like, and in my case my shmol media player I wrote (using ffmpeg).
This issue is actually critical as it is not really piracy as it narrows down to the right to have interoperabitily with technically reasonable and sensible software.
I don't really get why Netflix is so sour about password sharing, it's literally part of the subscription pricing, they tell you how many concurrent streams you're allowed to have.
In the 1990s some homes would have several screens of cable TV, so several people in the same home could watch different things at the same time. Parents with teenage children, for example. Because of the physical cables it only worked in one home - when the kids moved out, they had to pay for their own cable or go without.
Netflix presumably hopes to achieve the same thing: Letting kids share their parents' accounts before they leave home, but not after.
Yes, this very much bothers me. You pay for streaming. How many streams do you want? Well, pay Netflix for that number. However you like to use those streams is up to you.
Having not touched this since early days of TPB, is there a decent overview to approaches in 2022 you could point me to? E.g. has torrenting moved to the cloud or are most running vpns? Asking for a friend.
Latest and greatest is "plexshares" just google that. I've been sailing the high seas since 2002 and this is my last stop. No fuss, no worrying about anything. Wife and kids are very happy.
Find one in there that you like in your price range. I pay $20 and have 1080p/4k remuxes. I used to spend at least 10 hours a month managing my own Plex/Emby, the money is well spent to me.
Also, buy an nvidia shield tv pro. It plays everything directly with no transcode, and handles all subtitles effortlessly without triggering a transcode.
I tried roku, amazon cube, apple tv, everything - the shield is the best still despite it's age. It's flawless.
rarbg.to is the popular index site.
Bittorrent, the purple client. My smart TVs can access my PC's dedicated media directory - which took a bit of fiddling to get right. The big drawback is a lack of subtitles, unless they are baked in to the rip.
I still have Netflix and Prime Video (because of AMZ Prime).
I have thought about dropping Netflix more than a few times after the price hike.
I wouldn't recommend BitTorrent/μTorrent, they're now run by a Chinese cryptocurrency company and have ads.
qBittorrent is an open source alternative that also has my favorite feature, downloading a file in sequential order so as to stream it immediately rather than waiting until it all finishes downloading.
I have heard this term and briefly looked into it. My takeaway was it’s a vps with prebaked software/config offered by shady looking providers. Is that roughly correct or did I get lost in adwords?
Basically, you'll find ones with fast storage with big storage for reasonable prices and that are... explicitly sanctioning this use case. And I'd bet the competent ones specifically design their network and client settings for good performance. In professional settings getting good large storage performance is sometimes a struggle or expensive.
I've thought about using them for non-shady data storage and transfer given the price and performance. Nothing sensitive which wasn't encrypted, obviously.
A friend can recommend bytesized hosting if you want minimal hassle. They have installer scripts for all the most popular tools (like the ones in parent) and it's really easy to set up your own netflix-like experience, with Plex as the streaming UI, deluge as the torrent client and Sonarr and Radarr as automated torrent downloaders.
> It's easier just to pirate than keep up with all these streaming services.
It really isn't and it's only cheaper if you don't put much value on your time.
Radarr and Sonarr don't do anything automatically. Setting them up takes more time than they are worth. I tried installing them. Most would describe me as technically savvy, but I just gave up.
> It really isn't and it's only cheaper if you don't put much value on your time.
Very true.
In the hours it takes to download and curate these movies and shows I've made more than enough to cover a Netflix, Disney+, Prime and HBO subscriptions for that month or pay for a few VOD titles for that month.
My time is way more fucking valuable than the time required to do this well.
And if I do without content or entertainment even better. Not everything is worth watch every month.
I don't think I agree with this level of negativity around plex, radarr, and sonarr. Using a seedbox provider and all of these things are setup and don't need any additional tinkering. You are right that the indexer is probably the least friendly part, but set it up once and it keeps working for over 6 months at a time.
Even without a widget I can definitely see that with Netflix I am getting 720p on a 4k TV, even more frequently when watching childrens shows. I have a 200Mbps internet link, Disney+ plays 4k just fine.
It is not. It's very clearly not HD and we gigabit internet. Other services do fine. Especially rented HD movies that are streamed. So instead of using my TV for Netflix, I watch on my laptop with a browser plugin to set a proper resolution.
All this. Plus, if you live in a country that's not the US, half the streaming services aren't available, and on the ones that are, half the content is missing because it's 2022 and geographic region licensing is still a thing.
Since the rise of streaming services it have been surprisingly hard to get older and less popular content as less people are seeding. Also seems there are stringent laws present for content sharing than it was 10 years ago. I doubt that content piracy will come back in the way it was so that an ordinary citizen could say "It's easier just to pirate".
> Running a large media server can actually be pretty costly on power bills these days.
Only if using server hardware, and that isn’t a good way to do it. A recent generation igpu and a low power computer is the way to go. You’ll get 10+ streams out an Intel Nuc, or similar sff pc. The expensive bit is the storage array.
Theft, in plain english, is defined as the dishonest appropriation of property belonging to another with the intention to permanently deprive. Stealing is the act of theft.
As mention in a comment above, it is not the consumer's responsibility to provide income to employees of a company providing goods or services. Please stop with this fallacy.
You're conflating consumer responsibility with consumer spending. It's the company's job to provide wages - the company dictates and designs the means to acquire money to provide wages. If the company provides a widget that consumers don't want, is it the consumer's fault the company cannot pay the wages of the employees? That's just silly.
Technically stealing is depriving someone from his property which is not the case here. Also one should make a distinction between services. In the case of audiovisual content It can be consumed without changing anything in the life of the producer. I do not say that it’s a good thing but qualifying it of stealing does not seem right.
>You get the benefit of high quality (true 4k, not stream compressed "4k")
Where do you think pirates get their source content from? Sure if it's a movie with a blu-ray release there's a 4k high bitrate source, but if it's a netflix original the "stream compressed 4k" is the only version available.
Maybe, but I'd pay for better content and UX. Many movies above that royalty threshold just aren't available. Also Netflix must die because they canceled Cowboy Bebop.
About time anyway. Always next version of the business they put out of business. That's the way it works, especially with the deflation threat of technology. If you're a tech business and you can't maintain a margin so you have to raise rates, then something is up, broke, stockholder greed, personal greed, etc.
Disney, Paramount, CNN would eventually be held hostage to their platform by a Spotify or Steam ... The Music business and artists have been destroyed by Spotify
Plex is nice! I run a Server for Family and Friends, it works great, but I’m an IT GUY and it’s a Hobby.
For the most people it’s too much struggle to run this, especially when plex has the default settings of „transcode everything to 2mbit if the server is not at home“.
I have multiple subscriptions, but most players suck (I look at you Amazon Prime). Plex is a way better experience.
Maybe it's because I haven't done it in earnest since the days of Limewire but pirating sounds like such a fucking hassle these days. So I just don't do it not out of a strong sense of morality but because I'm lazy.
Sure. It's also stealing. And doesn't provide any money for future shows that you might enjoy. Don't get me wrong, I've done it for some things that I wanted to watch, but wasn't willing to pay for. But let's not pretend that everyone torrenting is a reasonable solution.
There were a few years were I literally stopped all torrenting. Netflix and Amazon had everything I wanted. Sure, there were a few things that didn't exist, but I was too lazy to go after that minor amount of content. I was fully legal and paying for everything. I was fine with it.
Then, the great splintering happened. I currently pay for 5 services, but that doesn't cover even 1/2 of what I want to watch.
All the content owners said to themselves "we can be Netflix or Amazon Prime, too" and they pulled their content into their own services.
But the biggest problem: the user experience absolutely sucks now. It's so hard to find stuff and remember where things are, there's no universal search. I have to use justwatch.com on my phone when I want to sit down to watch something new, which might mean a trip to the computer to download it if one of the many services I already pay for don't have it.
Back in the 90s you would have had to pay $3-5 per movie at Blockbuster. Drive to the store, hope the movie you want was in stock, drive home, watch movie, remember to rewind the movie when it's done, drive back to the store to return it before the due date.
Now, for less money, I don't even have to get off the couch. What a world!
Movies are different than games (and music) however. While I have rewatched movies--multiple times in a (relatively small) number of cases, movies are mostly one and done for me--and I imagine most adults.
That said, I don't know why the 48 hour limit on rentals got normalized. I've fallen asleep, gotten distracted, etc. while watching a movie and I don't like now being forced to watch it soon.
It was normalized back when the first video rental stores opened decades ago. It remains today because there needs to be some way to differentiate between a rental and a purchase, otherwise everything would become a purchase at a significantly higher price point.
Maybe the limit could be 72 or 96 hours instead. Or you could rent it with no time limit but maybe can't ever rewind then you can make it last as long as you need but when it's done, it's done.
While I tend to agree that piracy and/or ripping isn't something everyone can do, I've filled out my Plex collection legally lately with DVD acquisitions at bargain-bin prices. Used doesn't matter if you only have to be able to read the disc once to rip it, and I'm yet to get something used off Amazon that couldn't be read once. (I haven't even had to clean it or anything, it's all just worked.)
So, my Plex install in terms of raw content isn't up to Netflix's size. However, I rather suspect there are some people reading this who have more hours of video on their Plex than Netflix even has available. And while mine isn't that large, it is much better tuned for me and my family's interests at this point. And I don't have to worry about getting halfway through a series, only for some licensor to notice it has become popular enough to pull it and run it on their own service. Netflix has the problem now that anything that becomes popular on their service will get yanked. I do not know how they overcome that. They hoped to do it with enough original content, but to my eye, that has failed, and there is now no longer enough time to fix that. While I understand the complaints that they treated it too much like "content", to be honest, I've never thought this would work out, from the moment they announced it. A single company just can't produce a sufficiently diverse set of "content" to be the everything-to-everybody they would have needed to be to justify a Netflix valuation.
Do you also make backups of HD movies using this process, by any chance? Like you, I have no issue purchasing something. But I don’t like “purchasing” something stored in a walled garden online-only service that can be taken away.
I am fine with renting and paying. But the arbitrarily stupid rule “you have 48 hours to finish once you started” is what stops me from “renting” any lure.
Amazon and Youtube (and maybe other streaming services) also offer some of the movies for free with advertising. So the model hasn’t changed much from going to rent a movie at the store for a few bucks or watching it on cable tv, except you’re not paying for cable now.
Understandable, I just cut back on all the TV engorging and rotate the streaming services every quarter. IMO it's a net win. Save money on the streaming services and life is better for having not watched so much television. Not going to the grave wishing I binged Season 2 of some random show one more time.
Why don't you just not partake in the content? You really don't need to spend all that time watching shows. If you don't like the terms under which it is offered, just find something else to do.
I have a TCL TV (with Roku) and searching for a show using the voice remote generally gets me the result and also which app is streaming it. I use it all the time these days.
JustWatch is good for this, but it mostly reveals how sparse most of their catalogs are. It confirmed for me, at long last, that the reason I couldn't find anything to watch is because there wasn't anything to watch. Paramount+ at least has all the Star Treks after pulling it from every other service, but it seems like all they have other than that is 30 seasons of 5 cop shows.
Most results would just be buried somewhere in the middle of a four page article filled with ads and popups about cookies and newsletters and the like.
> And doesn't provide any money for future shows that you might enjoy.
Which means that dinosaur-industry would finally have to arrive in the 21st century. People are very much willing to pay for things they enjoy - see Twitch Subscribers and Patreons for examples. Paying for shitty catalogues where the parts that you actually enjoy are distributed across multiple services just isn't cutting it.
Good riddance to all those copyright-attorneys and other parasites leeching off of the entertainment industry.
I don't disagree. However, you can buy/rent movies and shows on an individual basis from amazon/google/apple now. The prices are just higher. There seems to be some benefit to bundling shows together into a service. You can also just jump around from service to service, which is what I do.
Ahh, but “buying” streamed content is a fool’s purchase. If the streamer loses the rights to film you “purchased”, you lose your purchase. This happened a few years ago with Disney content on Amazon.
I don’t want to assume anything about your financial situation but I just don’t believe most people would find 2 hours of entertainment for $4 unreasonable. Like that’s just silly cheap.
We live in a world where 90% of the entire catalog of movies ever filmed are available to be instantly delivered to your home in 1080p for less than the cost of a Big Mac. In the 90s it cost about the same not even taking into account inflation or gas to drive to blockbuster and rent a VHS. We are living in the future!
> We live in a world where 90% of the entire catalog of movies ever filmed are available to be instantly delivered to your home in 1080p for less than the cost of a Big Mac
Yet whenever I want to watch something, I have to look up which service it's on, see if it's available in my country, sign up for a subscription, possibly download an app....
Or, go to the high seas and be watching it in 4k resolution within 2 minutes.
Sorry, but no. That’s what I find difficult to understand - let’s say I want to watch a movie and ready to pay 5$ for it - why would I watch it in Hd or even 1080p if I have 4k TV? I understand that Google has only HD option for me, but why would I want it if I pay? In my mind if I pay - I should get every technical option possible to watch it, otherwise raw files are just few clicks away and I already paid for my broadband.
As simple as that.
The problem, for me at least, appears where some legal rights damage technological usage.
How many times my Netflix downloads will “expire”? Is this milk or something? Why do they need to expire? Sorry, but I refuse to understand…
Those are just excuses to justify your piracy. If you have a decent 4k TV and are sitting more than 5 feet away from it, the 1080p stream will upscale to "retina" quality and you won't be able to tell the difference.
That might seem silly cheap, but compare it to going to the cinema. The dining has a huge site to pay for, projection equipment and staff, cleaning and a million other things.
So if I watch it at home and remove all those costs from the cinema, surely $1 is going to be closer to what the film studio would have got if I went to the cinema?
It's cheap in terms of absolute dollar value, yes. But it's also an EXCEPTIONALLY shallow form of entertainment that I can easily approximate for free by just streaming some different movie off Netflix.
I'd much rather go to the movie theater and pay the even higher price for admission, because that's an actual experience. You can't replicate "going to the movies" at your house very well.
I wonder if this is different based on number of people in the household. On amazon, I think it’s usually $3 (fucking $2.99 penny tricks), which amounts to $1.50 each for the two of us watching. In a family of four, it’s sub-dollar each. Which as a percent of the dinner you’re probably eating while you watch is very little. But renting for yourself alone feels at least twice as expensive!
Piracy is a protest. 95% of those shows are worthless fillers that would have never been watched by the viewers if the full selection was available. Most of those future "originals" shouldn't be happening in the first place.
The reason music streaming defeated piracy is because a single subscription gives access to most of the music in the world, including from other countries and languages as long as you can type the search query (Indian, Japanese, Turkish, Russian etc.)
The reason video piracy is resurging is that every streaming service provides 2-3 good shows and hundreds of fillers, and to have a real selection of what is currently good one would have to pay $200-300 per month for dozens of apps. On top of that, pulling the show from one app and reappearing it on another loses watch history, which is no way in the interest of the customer. Sell what the users really want to buy, and they will pay.
> And doesn't provide any money for future shows that you might enjoy.
The last movie I pirated was directed by a man who died almost 30 years ago. Do you suppose if I subscribed to Netflix (which doesn't even have any of his movies at all as far I can tell), they'd hire a necromancer to get a few more movies out of his corpse?
You're probably right, and honestly the thought of this happening just makes me feel sad. That premise is just like the character Dixie Flatline in Neuromancer. Simply tragic.
It's not stealing, it's copyright infringement, and it's an act of protest. I paid for Netflix for years when the streaming catalog was good, but now the streaming video market feels like an anti-consumer predatory cash grab.
It's stealing, specifically from myself and others in my industry that you haven't heard of that. Making movies would be impossible to be without your
- Lesser Known actors
- Assistant Directors
- Stunt Coordinators
- 2nd Unit Directors
- Stunt Performers
and I'm sure there are others. Residuals factor into our income, allow us to qualify for health insurance, empower our unions, and provide a stable income to continue working in an unstable career.
All so we can make better entertainment for you! When you pirate, you're stealing money from us.
If you choose not to pay for their movie and watch something else, you are correct that you didn't steal from them. You did steal from someone else just like them though. If you pirate their movie, then yes you did in fact steal income from them. The act of choosing to pirate that particular movie changes it from a matter of potential income to a loss of actual income.
Right, so that isn't stealing. It is in fact what I advocate strongly. If more people did that, more content they would enjoy would be provided at a reasonable cost.
But extracting the value of watching something without paying the fee for that service...that's stealing.
ha. You are not wrong. The winds are shifting and I'm optimistic that i will be able to individually garner a better contract over time even if my union fails to help with it.
In this example, the banking provides the service of a safe place to keep my money until I spend it. That's what I pay for, in the form account fees and the banks ability to leverage my saved money for their financial gain.
100% the opposite. Bankers make their money from the flows of cash streams. Putting my cash under a mattress or setting it on fire steals it out of the hands of your banking friends.
This may be a regional difference, but we make most of our money on fees. Cashflow isn't actually worth that much in the current economy.
Not that it matters though, I was trying to make use of the "common knowledge" that banks make money from your deposits, and that therefore you spending your money instead of depositing it in a negative return account is costing us potential revenue. I know that's not how banks make money, but it's the culturally accepted explanation for how banks make money.
How much of your money has been taken from you? Not hypothetical money you think you might have been entitled to, but money that was actually yours. How much was taken from you?
around anywhere from 2 - 25 cents per viewing per consumer. Over the course of my career that can break down to easily 7 figures if I was to work on say the original Star Wars.
did you extract the value of the entertainment without providing the fee? That's stealing money from me.
If you weren't gonna watch it, don't watch. The argument being made is you in fact, do want to watch it, you just don't wanna pay for it. That's stealing.
Did you steal any content that was behind a paywall? If you did, you have taken money out of my industry and made it more difficult for it to be a viable career path in the future.
If I didn't pirate it, I wouldn't watch it, so you're not losing anything in my case. Additionally, if your work is actual art rather than mediocre filler content I probably bought your merch, which I definitely wouldn't do if I was getting raped by a streaming service, so if anything odds are you're coming out ahead. Beyond that, if I'm pirating, people start conversations about TV shows I don't feel compelled to hijack them by talking about how all streaming platforms are bullshit, which I totally would do if I wasn't pirating.
The purpose is to be a signal to the distributor: "fix your payment model or we're not paying". I pirated for a long time. When Netflix became a thing, I stopped pirating (since it was easier). Now I pirate again. If a new company came along with a good model, or the industry as a whole decided this streaming debacle is stupid, I would definitely stop pirating and give my money to someone. Until then, why would I pay money for a worse service than what I can get for free?
Wouldn't the appropriate choice be to not pay for the service AND not pirate? That seems like the best way to send the message. Pirating gives the impression that you want to view their content but not pay for it. So they should invest in locking down their content, not improve their experience.
If you're interested in the content, but dislike the delivery mechanism, ignoring the content entirely sends the signal: "I am not interested in the content you're producing". The companies will attempt to address that signal by changing the content, to try and find content that attracts larger audiences.
Piracy sends a different signal: "I am interested in the content, but not the price or the delivery mechanism". The companies will attempt to address that signal differently. Maybe they lower the price. Maybe the ease the friction on the delivery mechanism. Maybe the increase the friction on the delivery mechanism (by adding DRM). But the signal from piracy sends a more clear message to the content companies that ignoring the content.
Then they would replace the content but not the system. If you like the content pirate it. They may add more drm like music companies or they may reduce prices or they may make streaming easier.
Yes, I'm interested in their content. I'm not interested in their byzantine ways of inventing 20 million new streaming services that I need to subscribe to in order to watch one single show I want.
> So they should invest in locking down their content, not improve their experience.
How do I do that? For instance imagine I would like to watch Book of Boba Fett (just an example, I saw it mentioned somewhere today). I don't think that Disney allows to purchase it individually, but I can only guess, because in the sticks where I live (EU country), Disney+ isn't even available.
That reminds me, what do you think about geoblocking these services? If one has a choice: buy the content, buy VPN and break the copyright by watching it in unsupported country or just break the copyright by pirating it outright, what should one do?
Boba fett is not provided individually. The cost value of producing that show is driving people to a subscription system. If you don't want to do that, don't sign up for it.
If you want to watch that show but you don't want to pay for subscription, let DIsney know. If the market demanded it by way of retracting their subscription dollars, they would notice.
But if you steal it because that's just how you want to do things, you're a thief.
It was your suggestion to purchase individual shows.
>If the market demanded it by way of retracting their subscription dollars, they would notice.
One could say that pirating is the act of retracting the subscription dollars, but I digress. I can't retract my subscription dollars, because they won't even offer me the subscription (which I mentioned in my comment).
Could you as an knowledgeable insider actually answer the part of my previous comment you conveniently skipped, that part about what is person supposed to do if the Disney doesn't even offer the service in their country? And don't say "let Disney know", something actionable please.
>But if you steal it because that's just how you want to do things, you're a thief.
1) it's not theft, it's digital "piracy"
2) And I didn't say I pirate their stuff, the show was just an example. But I still feel discriminated on account of country I am from by them refusing to sell me their subscription service. And everyone knows that racism is worse than stealing.
Effort of buying legally < effort of downloading illegally
Netflix did it (once upon a time. no, not the movie). I don't really care for reasons why this is hard for the industry or really anything else. As long as it doesn't economically make sense for me to give money to someone (doesn't reduce my own effort/time expenditure or provide something I can't have otherwise), I will not give money to someone. Morals be damned.
You still have to find which service it's available on, enter payment information, download an app... And even then if you're not in the USA the selection is distributed across more apps, and lots of content isn't available easily even if you want to pay.
That's Amazon AFAIK, I don't know of any others. It's a step in the right direction but the price is still too high (it's usually $4-$5 in my experience). I only get to watch it once, not keep it, and I pay you double what I used to pay Blockbuster? No thanks.
Blockbuster new releases were $3 in 1990 dollars ($6.60 today). This was in a mid-sized town in the midwest, not Manhattan or LA. Blockbuster was also far less convenient.
When I open IMDB database a drop down with links appears. If publisher decided not to provide movie for purchase - these are links to torrent files to download movie in HD, FHD and 4k with preselected language and subtitles settings.
If publisher decided to provide movie for purchase - links to buy it with comparable price to a movie ticket. But you buy Movie not an HD+English+SpanishSubs file version and you don’t have access to 4k video.
You can also buy subscription to IMDB which will include 100-200 hours worth of content per month. You don’t buy movies this way. You stream them and they don’t belong to you once your subscription ends.
Publishers get their money based on minutes of content watched by users.
The thing they get you on with BitTorrent isn't the download part, it's the seeding part, where you're distributing the copyrighted content to other downloaders.
You could turn off seeding, but that'll get you banned from a lot of torrent sites, and it's not a technical distinction I'd want to have to explain in court to lay people.
There are many lifetimes of content out there already. What if I'm fine with there being no money for future shows?
I really fail to see how a world without high-budget Marvel films will be so bad. I'd be fine watching old movies and art-house productions for the rest of my life.
If I pay for Netflix, which offers Friends in some countries but not my own, and I want to watch Friends, am I stealing it by torrenting it? Who has less property now than before I torrented the show?
I'm okay with that. The business is unfair to those in it, particularly at the lower end, and also unfair to its consumers. It is not the job of consumers to fix or perpetuate that system.
I'm only here to pop the balloon on the consumer's perception that "it's not theft." there's a face and a name that goes along with that theft. Thousands of them.
Is it my responsibility to help these people continue their careers? I have worked on tools that help businesses fill out legal forms without the need of a lawyer. By the same logic, am I “stealing” from the lawyers who need this friction to continue their careers? The reality of technological progress is that some economic activities become unsustainable and some workers will be forced out of their careers.
i prefer not to pay for my own exploitation and being psychologically mindfucked by propaganda. i don't want to give money to Hollywood millionaires and the expensive product advertisements that classify as movies today
That's not how English works. "Stole", "steal", etc., have meanings beyond just illegally depriving someone of physical property. Here are several examples of correct usage of "steal" or "stole" that have nothing to do with illegally taking property.
• Someone says they do not like cats and have no interest in having one as a pet. A cute stray kitten shows up on their doorstep, they take pity and feed it. They fall in love with it and keep it. They might say that the kitten "stole" their heart.
• An actor playing a minor role in a play gives a performance that outshines the performance of the stars. Many would say that the actor "stole" the show.
• An employee of a rival company poses as a janitor to gain access to your lab and takes a photo of a whiteboard containing the formula for a chemical that is a trade secret in your manufacturing process. It would be common to say that the rival company "stole" your secret formula.
• When crackers gain access to a company's list of customer email addresses, passwords, or credit card numbers, it is commonly said that the data was "stolen".
• Alice is Bob's fiancé. Mallory woos Alice without Bob's knowledge. Alice elopes with Mallory. Most would find it acceptable if Bob said that Mallory "stole" his fiancé.
• A team that has been behind since the start of the game but wins on a last second improbable play is often said to have "stolen" the game.
> They might say that the kitten "stole" their heart.
A great moral crime, no doubt...
The problem is once you expand the definition of 'steal' well beyond what is legally considered theft, the immorality of "stealing" is no longer a given. People who accusatorily use the word in reference to copyright violation are leaning on the 'illegal acts of theft' meaning of the term to add apparent moral weight to their argument. But when challenged on that, they retreat into these more diverse meanings of the word and pretend they never meant it that specific way. It's a Motte-and-Bailey tactic.
These examples are all obviously metaphorical and irrelevant, unless you want to talk about metaphorically stealing from people, which I don't understand to be the point of this thread.
> Mallory "stole" his fiancé
Bob has been deprived of his fiancé.
> the rival company "stole" your secret formula
> crackers gain access... the data was "stolen"
These are the only two relevant examples, and they're sufficiently debatable that it's unlikely you'd be able to prosecute either for theft or larceny. In the case of the crackers breaching an email list, many laws are broken, but I doubt "theft," or anything like it, would be one of them. In the case of the corporate espionage, if this is theft, it's theft of intellectual property. And that makes it the most direct comparison to content piracy, but it doesn't advance the conversation because it's the same debate.
A better example is theft of services. If you sit down at a barber's chair and then walk out without payment, we all consider that stealing. But no property was actually deprived--just wasted effort.
All of these examples result in someone not having something any more (being the star of a show, trade secret, confidential data, fiance, winning of the game).
It doesn't matter how you rationalise it. Someone created content with the intention of it being consumed for a fee. You downloaded it, likely from someone who illegally copied/reproduced it.
Maybe I didn't "steal", but I contributed to criminal activity.
Sure, copyright laws can seem absurd, but if you disagree with the laws, consider the ethics.
How would you feel if you have a business, I steal from you, and then go give random people your content? This especially when it starts to drive into your revenues.
"Only digital copy" is disingenuous. If the cost of producing the digital copy is say $40mm (an amount article says some Netflix movies can cost).
They're making copies from a digital copy, and their business is to sell access to them. If their model is "we'll replicate this copy 500 million times, and charge users $0.10 a view", every 10 copies viewed elsewhere is $1 lost.
Should a service raise the fee to say $0.12 to better cover costs?
Ultimately, theft is often subsidised by paying customers.
I'm also guilty of this. I download torrents where:
* I can't buy something because it's not available due to region restrictions, and I can't buy it via VPN (looking at Disney+)
* I can't buy it anywhere altogether.
Where I used to download maybe 50 torrents a year a decade ago, I probably do it <5 times a year now. It's stealing, or consuming stolen content.
The pricing strategies of big corp is a separate accessibility issue.
> How would you feel if you have a business, I steal from you, and then go give random people your content? This especially when it starts to drive into your revenues.
I would consider that if I am selling a product that has absolutely no scarcity, such as digital files, I have a few approaches.
- Introduce artificial scarcity with something like DRM
- Create a business model focused on the service of providing the product, rather than the product itself
I would not try to accuse my potential consumers of a crime in order to fix the flaws in my business model.
The other option, which obviously doesn't work for mega-corporate media, is independent, direct support (patreon, etc). Most of my favorite modern content is created in this way, and is entirely free to download and distribute - contribution is entirely optional.
problem is that greedy media moguls want to get paid for a piece of content forever, instead of just raising enough money to cover the labor and advertising, give stakeholders some profit, and move on, so they cannot exist this way.
I agree with everything you say here, and torrent a bit more than you and get things via newsnet a lot. I maintain a large media server.
The end result of my pirating is a media service that is easier to use, is higher quality and requires less effort than a streaming service (though initial costs and setup time were high).
I also pay for 3 streaming services that go unused, and this covers about half or maybe 3/4 of what I watch.
Streaming is in a dangerous place when piracy works better, looks better and is more convenient.
More like I snuck onto a ride without buying a ticket. Or snuck into a theater without buying a ticket. Wouldn't you call that stealing?
Edit:
Call it digital trespass then. I don't really care what you call it. There are obviously fixed costs to creating content. Just because there aren't incremental costs incurred from piracy, doesn't mean there isn't harm. Lost revenue is harm.
In those cases, your mere presence costs the operator more (fuel cost/ wear and tear/limited number of seats) - so sure, those cases could be considered stealing, but I don't think they're in the same realm as downloading entertainment.
I have some used oil I need to get rid of. I could drive the 45 mile round trip to the county hazardous waste disposal site and get rid of it properly. Or I could wait until we get a good rain and pour it into the drainage ditch in front of my house, where it will eventually end up somewhere in Puget Sound.
The amount of oil is small enough that it would have absolutely no measurable effect whatsoever on Puget Sound.
Would you say that it is therefore OK for me to dump it in the ditch?
If the environmental impact assessment (you should already have conducted this) shows the impact of dumping your 1 ml - 1,000 l is less than the impact of your driving 45 miles, go for it!
> Would you say that it is therefore OK for me to dump it in the ditch?
I'd say no - because it's decreasing the intrinsic value of a shared resource (whether or not it can be measured). Downloading a movie, on the other hand - doesn't decrease the intrinsic value of the media being copied.
This doesn't make any sense and is an incorrect analogy. Trains don't pay residuals to the people that made the train every time someone rides it. Imagine a different world where the people who made trains make most of their money from train rider residuals. In that case, I would say yes, they are stealing.
And, to the people trying to play semantic games with "steal" and "theft", theft of services does have laws defining it as a criminal offense, e.g. https://oregon.public.law/statutes/ors_164.125 .
and then the carnival workers get fired, because there isn't enough income to pay 3 people. One person has to take tickets and run the rides, which is now more dangerous for you. So they shut it down, and all the cool rides leave town and you'll tell your kids how much cooler carnivals use to be and you'll never understand it's cause you stole income out of the workers pockets.
It’s always hilarious to see HN of all places get nitpicky about this distinction. If some megacorporation stole your code, we’d laugh them out of the room if they said this shit. “We didn’t steal your code, it’s still right there on github! We would have used it legally if you had licensed it differently!”
Not sure if you're being sarcastic... If not, you're just being facetious. Just because a thing is digital and therefore copiable, doesn't mean there's no reason to ever pay for it.
1: to take the property of another wrongfully and especially as a habitual or regular practice
Yes, piracy is stealing according to the dictionary, especially if done habitually. That the owner is left with a copy of the work is immaterial to the act of theft.
Oh, are we doing argument by dictionary now? Here's another one then:
Take verb
1: remove (someone or something) from a particular place.
Piracy doesn't remove something from a particular place, so it is not taking, so it is not stealing. You know, "according to the dictionary"
(My point here is to show that quoting dictionary definitions to resolve technicalities is a worthless argument. I don't actually care whether or not piracy is classified as theft)
It's not taken. It's copied. Digital piracy is not theft. It's unauthorized copying.
It would be taking and theft if you deprived the owner of their content while copying it for yourself. Like stealing money with wire transfers.
This isn't just semantics, it's important to not conflate theft and piracy. They're almost completely different, except in both cases the offender obtains something they didn't originally possess.
"You wouldn't steal a car" is mafiaa newspeak intended to maintain control of rents.
it's theft of the income of the workforce required to make movies. Whole departments receive residuals based on the post box office sales and that income is required to ensure that it is a viable career. That enables talented and safe people to continue making entertainment which in turn provides a better product.
No, it's not. If I pay for a movie, but I then download it from The Pirate Bay, it's still piracy, but nobody loses anything.
I recently went over my media collection and did some conservative guesstimation of my spending over the last 20 years. I've paid over 6 figures to consume various sorts of media.
I have absolutely zero moral or ethical qualms with downloading and/or pirating content I've already paid for. I don't give a flying fuck if the copyright holder doesn't like the means by which I get the content. The studios and copyright lobby and mafiaa are not good faith operators.
Piracy is not theft. Sometimes it's ethical and justified.
I WANT to pay. I want to give a streaming service money to curate, deliver, and maintain a library of high quality content. The industry doesn't want that to be possible, because it interferes with the bad-faith rentseeking games played with royalties and residuals. I'm done playing pretend, and will happily Pirate even new content I haven't paid for.
I will pay when there's the opportunity for good faith commerce. I'll buy discs and files directly where possible.
In your example, getting a third party to provide a digital copy of a good you already own is not theft. I would argue it's a lousy way of doing things, opening you up to many more problems, but it's not theft.
Taking a good or service that you don't own is stealing. That's piracy. That's theft.
I sort of think piracy in this context is actually distributing some media, e.g. a movie, without holding the copyright or a license from the copyright holder to do so.
You will argue that this may deprive the copyright holder of some rent if the media is for sale, but that sounds qualitatively different than taking or stealing.
You're stealing income, specifically from me and all of my coworkers. Perhaps you think that you're only stealing from Producers and A list actors, but there are entire departments that receive residuals on a production.
- On screen performers, stunt performers like myself and actors who grind out a comfortable living. Those residuals also go to qualifying for health insurance through earnings. You are directly stealing from my ability to provide health insurance to my family.
- Assistant Directors, who are saints dealing with every logistical problem imaginable. The best of them only work 1-2 movies a year because the workload causes severe burnout.
- The Union themselves! The more money that flows through the union, the more powerful they are. The more safer movie sets become and the better life is provided for the workforce that makes your entertainment.
- Yourself! You are reducing the value of producing quality TV and Movies by stealing them. Every time one a show is pirated, there is less incentive to spend more money on an entertainment spectacle.
For every show imagine that it's a nickel you stole from my income. WOuldn't be surprised if you took a buck or two out of mine. Now multiply that by all the on screen performers and ADs and others I mentioned. Now multiply that all the people who steal like you.
You're directly responsible for sucking the quality of life away from people who make your entertainment and reducing the desire to make things you enjoy. You're going to end up with shows that are AI generated CGI sponsored by Mt. Dew and Chevy trucks.
Uh huh, I'll stop stealing from you when you stop stealing from me.
Advertizements everywhere stealing my attention, public space, and landscape beauty. Stealth taxes on empty hard drives and other storage media. Hardware-destroying rootkits and other malware (lost a DVD drive to DRM, will you reimburse me?). Draconian control mechanisms and lobbying stealing my control of the devices I own. Mountains upon mountains of disposable plastic promotional crap stealing my planet and ecosystem.
I'm not stealing from you. I'm extracting some small reparation for the many toxic behaviors your industry engages in. When you start offering an honest product I'll start honest buying. And I do - I pay more combined to good people producing good content via Patreon than a monthly Netflix subscription.
You, personally, are stealing from my income. All those issues you raise are valid and important issues to address. Stealing because those things make you angry makes you part of the problem.
I don't personally pirate much, but I take umbrage at you characterizing it in this way. You seem to think that the issues of accessing media without subjecting yourself to user-hostile behaviors are wholly orthogonal to the issue of accessing media without paying for it. They aren't.
Imagine a hypothetical universe where, in order to watch one of your movies, people had to a) pay you $1 and also b) let you punch them in the nose. Then, when people sensibly start pirating your content instead because they don't want to get punched, you loudly proclaim that they are stealing the $1 you are owed.
That's what's happening here. People want to watch your content, and are willing to pay for it. But they don't want to pay for it AND get punched in the nose. They pirate because your distributors, and by extension you yourself, have made it impossible to watch your content (and pay you!) in any other way.
I get that your natural rejoinder will be "if the content is not worth being punched in the nose, just don't watch it!" Which is fair. Debatable, but fair. Just don't come here pretending that all you have asked for is the reasonable sum of $1 when you are actually demanding that your customers subject themselves to the indignity of your fist.
The world is full of problems. We are looking at actual massive potentially civilization or species ending issues in the large and dealing with trying to make a living, manage illness, deal with death, parenting in the small.
If you live in a big city you probably walk by people in the street slowly dying from a drawn out form of suicide because you can't possible change all their lives on your way to the grocery store or coffee shop and people at large are choosing to do the same with your income stream. They opt to deal with problems more important and more personal than fixing the way in which culture is monetized so as to funnel slightly more money to rich folks who could do more for society as soylent green in hopes that a few extra bucks will stick to the hands of useful folks like yourself.
For myself I'm not angry nor do I have any intention of fixing the problem because nobody with any decision making power gives two shits what my opinion on anything is. I have monetarily in life about nothing and indeed will have nothing tomorrow and the next day. You feel like people are violating the social contract by not paying for multimedia. Part of your problem is that you even believe that we are part of the same society or share the same ethics.
We really aren't. I am not the benefactor of the current situation nor do I have any meaningful power to negotiate new ground rules or even enforce existing ones so rejection makes worlds more sense.
You say stop downloading and I hear enjoy poverty but with fewer books, music, movies, games. I wont actually be supporting the folks you mentioned to any greater degree but you will find such more ethically palatable. HALF of America is sharing 12% of the income. We don't have anything but you can stick a $200 PC and plug it into a $20 monitor and courtesy of a $10 internet essentials package download as many books music movies shows as you can possibly consume.
I don't feel like making my shitty life shittier in order for you to feel better. Artificial scarcity is a dumb way to run a society and its not my fault the people with all the money in this society have chosen it.
Film is competing against loads of free content and the industry is thrashing to avoid accepting the obvious fate: it is no longer economically rational to produce films with budgets in the hundreds of millions.
Jobs will be lost, just like happened with farriers and switchboard operators. Your income will disappear regardless: the demand for stunts is elastic and the supply is increasingly competitive. Blaming pirates is being unable to see the forest for the trees.
If the entire world of piracy tripled tomorrow, it still wouldn’t have the tiniest shred of impact on your income compared to the decisions of rapidly consolidating tech/studio execs who are tanking your industry and fighting your unions to chase pennies.
A lot of us would gladly pay the cast and crew directly to own a copy of your output that we could access on our own terms, but that isn’t a reality for most trade under capitalism. There’s a reason Googlers on HN aren’t trying to guilt trip everyone for personally stealing their income by using ad blockers. Maybe this is particularly to the entertainment industry, but most of us would shrug our shoulders at the equivalent of petty shoplifting from our employers.
I, and nobody I know, has pirated games or music since Steam blew up about 12-15 years ago and Spotify/RDIO and similar blew up about 10 years ago.
There was about a decade when Netflix went full in on online streaming and was offering a fantastic service for a reasonable price with a far superior experience to piracy. That is no longer the case, and the unbundling to now a dozen+ of subscriptions is driving pretty much all my techie friends back to movie/tv piracy. I personally don't really watch much TV and might watch one or two movies a year, so I'll just not watch anything. I've already cancelled my Netflix subscription about a year ago, and I prefer playing video games and reading books anyway.
Until your industry can offer a product experience that is superior to piracy, people are going to pirate. The games and music industries have largely solved this problem. When will yours?
No, it's not economic at all. You've repeatedly failed to grasp this in this entire comments section. It's about convenience. It is actually more convenient to pirate the handful of movies or TV shows people want to watch than to maintain a dozen subscriptions or activate just the one for the handful of shows or movies they want to watch at any given time.
Steam and Spotify have made it incredibly simple to just get what you want without having to juggle or manage any kind of bullshit.
Steam charges by the game and often times you can find whatever you want on iTunes or Amazon video if you're willing to "buy" the movie/tv season. Why do you limit yourself to content that comes to you from a subscription? I'm guessing because it's kind of expensive to buy a season of tv.
I don't, actually. I pay for a number of things that I feel deliver value. I've bought movies and TV off of amazon video/youtube. I pay for some podcasts. I buy audiobooks off of Audible and eBooks from kindle (despite these being even more expensive and more convenient to pirate than movies/TV). I've commissioned some graphic design stuff for personal use. Though I'm personally not into sports, a friend of mine is super into the NFL and buys their online package (though he still has to pirate certain local games because...not enough people showed up to the stadium that day???).
As I've said in the thread, for me the alternative to movies/TV isn't piracy, it's playing games or reading books, which I do pay for because the experiences of finding what I want, buying it, and consuming it is a superior experience to piracy. If that ever changes across the entire media landscape and games/books go the way of movies/TV that may change.
ah, sidenote! I watch NFL too. Generally local games are blacked out so you need to watch them on the local broadcast via antenna or a cable. I do find this annoying but I have an antenna pretty much for that reason.
The only thing I pirate is movies / tv shows ... and it's extremely simple: because it's not humanly possible to purchase them digitally.
Games: yes. Music: yes. Books: yes. Magazines: yes. What happened to tv and film? Where are you all?
Let's say I want to purchase The Fifth Element and throw it on my plex server so I can watch it on vacation out of the country? How can I do that? The answer is simple: you cannot. So I pirate it. And enjoy watching it. If the industry WOULD provide me with some way to purchase The Fifth Element, get a high quality mkv or mp4 or whatever download of it, I would do it in an instant.
Is it really stealing if they wouldn’t have ever paid for it in the first place?
If it’s not easy to find and use on a subscription service that I already have, I’m just not gonna try to search for it or pay for it. What difference would it make if I pirated it and watched it anyways?
(FWIW I personally don’t pirate anything, I just really don’t see the merit to the “stealing” argument)
Yes, it is. But even though you didn't manage to communicate your point correctly, it still stands: the only reason streaming replaced piracy was because people could afford it and it was easier to use.
Even the ease of use has declined, and the affordability is down the toilet. And as usual, we have people at the top reaping record profits and making victims of their greed blame each other at the same time.
It's not stealing, it's copyright infringement. If someone steals my car I no longer have my car. If someone copies my car my car loses values because there is now one extra copy of my car floating around.
If intellectual property is indeed property, it can be stolen. Considering (in the US, at least), intellectual property is codified within the Constitution, it's pretty hard to say it isn't real.
Edit: to be clear, I agree it's not 'theft', but am pushing back on the way this distinction is sometimes used to insinuate that it is victimless (not saying the poster above is claiming that, just that it's worth pointing out)
Often when you have to qualify something (intellectual property instead of just property), it's because it's used as a metaphor instead of a subcategory. Intellectual property is a form of property as much as political science is a form of science.
You can metaphorically say it's theft, but it doesn't manifest as theft of actual property.
For example: many people (myself included) have downloaded the $1.000.000 torrent (a list of files whose value amounts to a million dollars). I found nothing of use in it so I just deleted it. Did I cause a million dollars in damages? Was the damage restored when I deleted it?
If you consider the same for actual property there's no question about it. Stealing a Bugatti does cause millions to be lost, and destroying it makes it irrecoverable.
You've posted 67 (!) comments in this thread, mostly making the same point over and over in angry ways.
I get that you have legit reasons for feeling strongly about this topic, but this is way over the top, so please don't do it on HN. We want curious conversation here.
> You want something. You don't want to pay for it. You take it without paying.
This is an age old argument... I'm not taking anything. I'm merely looking at something. The same way that I'm not "stealing from Leonardo" when I look at statue of David. I understand that the makers of the movie had some hopes of monetizing my looking but alas, they failed. Based on pure logic alone, it's clear that piracy is not theft, it's something else.
I generally support this argument, but to play devil's advocate, you might consider the bit stream used to transfer the content to be new bits. The file may be a bit-for-bit copy if you ask a computer, but streaming it required a series of voltage fluctuations that wouldn't have happened otherwise. You could consider that series of events to be roughly analogous to a CD-ROM containing some content. You can load the CD onto two computers and get two copies of its content, but there are two physically distinct CDs just like there are two physically distinct series of bits streaming to two locations.
An NFT is a certificate of authenticity. Copies of the associated item don't have a valid certificate. Getting satisfaction from a copy is orthogonal to the value associated with the authenticated original.
I'll go into your mailbox and take your paycheck. I'll provide you with a new identical copy of it. I'll leave the previous existing copy intact, but in my possession.
Theft is when you take something from someone. As in, what you have materially gained, they have materially lost. Copyright infringement is not theft, and must be treated differently, because what you gain, nobody has lost; the supply is infinite.
If you accuse someone of stealing the income, but they haven't gotten any money out of it, how does that make sense? What you're describing is a missed opportunity for a sale; had someone 'stolen' nothing and simply passed the product by, you would still not have made that sale and nothing would have changed.
Finally! I agree with this. I think that physically purchased goods should be free from any sort of "DRM." and is not stealing.
The difference is one party at a time, i.e. household, library patron, etc, can enjoy the entertainment service.
When you pirate it, The original owner of the dvd retains the service value as well as providing the service to others without any value being transferred to the workforce/IP holders.
That's the difference and I personally am all in for a mythical solution that but still allows complete freedom of ownership while also stopping people from digitally reproducing assets and dispensing them exponentially.
I seriously don't understand why this point keeps getting repeated. It is just semantics!
Yes, we all know copying a digital show isn't the same exact thing as stealing your car. However, you are still taking something of value! Let's say you snuck into my band's concert venue and didn't buy a ticket. Yeah you didn't physically take anything from me, but you are having access to something you shouldn't without paying.
No, I am not taking anything of value. You still have all the things of value you had before. The difference between a rivalrous good and a non-rivalrous good is not semantics.
Call it stealing it or not, non rivalrous or whatever, the point is that the movie owners have intellectual property rights to their movies and can decide how it is distributed.
If you think that's a dumb deal then you don't have to take it. Pirating it is simply wrong.
Theft is not defined by the receiving, it is defined by the taking. The moral ill is not you being enriched, it is the person who had it rightfully, being deprived of it.
"Let's say you snuck into my band's concert venue and didn't buy a ticket. Yeah you didn't physically take anything from me, but you are having access to something you shouldn't without paying."
And this is again a physical situation, where one more person takes up limited space, reducing something.
Copying does not reduce anything.
It also does not contribute anything, true, so I am not saying it is always ethical to do so.
But when a poor person in bangladesh or bolivia living under very different economic realities, where 10$ means a LOT and who could never afford to pay for western realities anyway, streams some hollywood movie from a warez site - than I see zero damage. And guess what, they all do. So do poor teenagers and students in the west and they usually start paying, once they can afford it.
Judging them all as "thefts" from a position of being born into wealth, is maybe not very ethical either.
So to repeat it again, stealing implies taking something away. Which is not the case here.
> Is it really stealing if they wouldn’t have ever paid for it in the first place?
Since when does it matter if I would've paid for it? If someone steals a Mercedes from a dealer is it not stealing if they wouldn't have bought it anyways?
Just out of curiosity, do they get deprived of the income when I download the content, or when I watch it?
Do they lose more income if I watch the content with friends?
In the early days of photography, people believed that if your photo was taken, it was stealing your soul [1].
I can understand the idea of piracy being wage theft in the same way I can understand the idea of photography being soul theft, but I think both are rather silly ideas.
We get deprived of the income when it is consumed without providing money for that service.
If you watch it with your friends, 5 people watch it for one purchase. If it's good, you all tell 3 more people. Of those 15 people, 20 percent end up purchasing a viewing and the system repeats.
When you pirate it you take all the service for zero cost. That affects real people.
What if 6 people watch it for one purchase? Does it become theft then?
How about a college dorm hosting a movie night? Maybe theft?
What if a million people watch it for one purchase? I know you think that's theft, but I'm not sure where you'd draw the line.
I think the reality is that 90% of the population won't pirate because it's too much effort and legally ambiguous. If your content becomes popular through piracy, you will absolutely reap the rewards of good content creation.
If a billion people pirated your content because it was that good, you'd have absolutely no problem monetizing. You'd be a household name. When Disney loses their copyright on the Mouse, they're still going to be a huge company capable of monetizing all things Mickey.
If we get back to a state where everyone is pirating because the content services suck, then you need to petition your content distributors to lower friction and provide an experience worth paying for, but we're nowhere near that.
Gabe does it with Steam. I used to almost exclusively pirate games, and now I almost exclusively buy them, because Steam has value adds (achievements, friends, online play, tournaments, workshop content, etc).
Also, you have to understand that many people who have large collections of pirate content see themselves more as archivists than viewers. I'd guess most pirated content never even gets consumed, just downloaded for a "later" that never comes.
You assume people are going to pay for it. If you provide a good service, they will, as shown by Steam and Spotify and, at least initially, Netflix.
If you don't, they won't, as shown by the proliferation of shitty streaming services and the gutting of content on Netflix.
It's got to suck to feel that people are stealing from you because you have no control over the content distribution mechanisms in the industry you work in, but I think you're largely engaging in fallacious argumentation here. It's pretty much the 90's version of piracy rhetoric. One pirated watch != one watch worth of income lost.
I assume that if people want to enjoy a service without paying for it, it's theft.
It's the "I don't want to pay for it, but I still want to watch it." that seems to be hang up for so many.
Let me explain it simply. That is stealing and it directly affects my ability to make a living as well the motivation for service providers to make more products you enjoy.
What are your thoughts on me and all of my friends and family getting together in my home theatre and watching the latest movie that I paid 4 bucks for on something like Amazon or Youtube?
Is everyone there except me stealing? It feels to me a little bit like the N=1 vs N=0 problem of theism - I'm simply an atheist to one more god than you are. Similarly, I simply don't think it's theft to one more person in that context than you might (of course, here I'm assuming you don't think all those people are stealing).
I am 100 percent okay with it. One entity has provided the fee for service (and afforded me 1/100th of an avocado toast, thank you very much) and is not in their ownership to do as they like.
That they want to share it is their business, not mine. If it's good, those friends will tell other friends and someone along the way will purchase it again, and I'll be even closer to my mortgage busting avocado toast
The hypothetical argument against that is "what if I get 100 friends, for 100 nights to watch it." Sure, hypothetically you could but then it'd be pretty expensive for you and added wear and tear on your home and a pretty big headache to deal with. THe only way to justify it would be to start charging, which at that point, would be stealing. So it always comes across as a thought problem, but I find it's not a real problem.
I don't mind if the town throws a movie festival once a month and plays my movie. I mind if they all get to go home with the luxory of having it on demand and the ability ot share it with everyone they know without providing the service fee requested.
It does not affect your ability to make a living if I consume a copy of your IP that I was not going to pay for in the first place. You have lost nothing you would not lose otherwise, and you have gained nothing you would not gain otherwise.
You gain the value of service without paying the requested fee. If you weren't going to watch it, you wouldn't. Watching it, without paying for it is theft and it takes money from me.
Proof by repeated assertion. The post you are replying to is an effective response to yours. Once more: It does not affect your ability to make a living if I consume a copy of your IP that I was not going to pay for in the first place. Watching it without paying for it does not take money from you, because you would still not have had that money if I had simply not watched it at all.
> If you weren't going to watch it, you wouldn't.
This is flat out false and incredibly obviously so. You can easily see it just by cranking the numbers - if a video game is fun, but costs $500, do you really think that each person who pirates it is depriving the developer of $500? If some magical DRM scheme was implemented that could not be broken and guaranteed every person who played it, bought it, would everyone who pirated it in the previous hypothetical instead buy it for $500? No, they would ignore it, nobody would buy it, and the developer would have just as little money as they had before.
Pirating a piece of IP does not translate 1:1 into a lost sale as you keep variously asserting and acting like it does. It can even turn into a gained sale, in the case of video games or software, when people would not have bought it based on the promotional material but consider it worth buying after actually using it. You have a right to exclusivity on sales - selling pirated material is criminal - but you don't have a right to actually make any sales if nobody wants to buy it.
>if you watch it with your friends, 5 people watch it for one purchase. If it's good, you all tell 3 more people. Of those 15 people, 20 percent end up purchasing a viewing and the system repeats.
or he could have not watched it at all, told no one, and you would have 0% instead of 20%.
Pirating at scale is a real problem, but an individual pirate is just an opportunist. There is a difference between taking something off the shelf vs picking it out of the trash.
There is a small volume of "piracy" that could be considered "picking through the trash". Some (a lot) of entertainment looks like trash to some (a lot) of people and the only reason those people watch it is because it they get to watch it for free. And then when they are pleasantly surprised, they tell people about it. This is the heart of the "i wasnt going to pay for it anyway" argument. Its the type of person who wouldnt pay for a donut, but if you were about to throw them out theyll take one.
Id be curious to see statistics that shows the relation of being successful in the pirate world and successful in the real world. Because that is ultimately related to the argument you are making. that the current state of piracy is hurting your industry, not helping it - since you say this specific pirate is hurting you right now.
it certainly hurts the transactions bottom line when isolated to viewing your bottom line with or without pirate sales - but thats an incomplete financial scenario (this type of thing is my job). you shouldnt assume a gain of x% sales of pirates that 'would have paid for the content if they couldnt get it for free' without also subtracting y% of sales from people 'who only bought it because pirates started the conversation that ultimately led to their purchase'.
Sometimes the marketing for a movie sucks, and not a lot of people are interested in seeing it. There is a small time frame of relevance and pirates might help overcome the shortcomings of marketing efforts and make the movie more relevant which helps it reach more people than it would have.
In all of your discussion, you seem to presume that the pirates knew about and had an interest in your film to begin with. You assumed successful marketing of your film. maybe you're right, and it probably does 'hurt' (tax?) the biggest blockbuster of the year... but 'people who only watch things online for free' is a real community of maybe significant size and i dont know if there has been any work done to try to measure the impact of what penetrating that community has on the financial success of entertainment media in general.
"all theft is bad" is a nice story, but it ultimately is not always true. sometimes companies allow theft on purpose as a form of marketing. They do that as an observational response to the fact that the cause and effect of 'influencers' exists outside of the intent of the people involved.
This leads to a hypothesis that pirating is a form of marketing for your industry. If it were to become too easy to perform or too widespread, it would likely cross a line into being actually damaging. But if the people pirating it are mostly a small group of tech savvy, relatively intelligent, movie enthusiastic people (due to the technical requirements needed to pirate) then maybe when they pirate you they might be autonomously servicing your industry as an influencer. I know it sounds asinine, but if you want to talk money - there are a lot of factors to consider.
So are they stealing? sure. Are they taking money OUT of your pocket? very debatable; unclear. They are influencing with the pool of money that ends up in your pocket, and it isnt so black and white what their actions have on the size of that pool due to the complexity of your industry.
---------------
Sorry for the long post, and it isnt an attack on you or even a support of piracy in general (it might read that way) - i got caught up in mentally exploring the underlying financial model at play in the current market. fwiw im too lazy to pirate, but i still feel there is an incredible difference between people who pirate for themselves vs people who make it easy for others to pirate. People who invite some friends over to watch something they pirated, vs someone who distributes pirated content on common low-tech household media formats like USB, CD, etc.
You are wrong. You’re focusing on the wrong thing here. It’s not whether the good can still be sold, it’s about whether the business can continue to get money.
Say you have a business idea. Perhaps something that you want to patent. I use it and start my own business, rendering your potential business moot.
@Stunting your perspective in this thread is very valuable, and the best thing that streaming has done, much better than old-school bundling and certainly better than piracy, is encourage a boom in interesting content, and I'm very glad you and the other workers in entertainment are getting paid.
But flogging the tired comparison between stealing physical objects and making illegal copies of content is a losing argument. Everyone instinctively knows it's not the same thing. Just because an end user gains a benefit they didn't pay for doesn't mean it's theft. The owner still has the content and can sell it to as many paying customers as they like. Once the car is gone, it's gone and unavailable to sell to someone else. Consider: what would the auto market look like if we had Star Trek-style replicators and could make copies of physical objects for pennies? Let's use bikes instead. If you had the ability to make cheap copies of a bike, would it be ethical to deny the use of a bike to a poor farmer who could use it to get goods to market and make their life better, when your marginal cost is near zero? Do the needs of the R&D people who designed the bike override that consideration?
This is just as much of a problem for all the software creators on here as for the content creators, though the rise of SAAS has changed that somewhat. Content's inherent non-scarcity is one of the best things that has ever happened to humanity, it just happens to break our pre-existing economic model and hurt the people who create it. This is a fundamental shift in our economy that's underway and we have been lurching around trying to solve it for decades now. We need to solve it, but pretending that it's the same as theft is just not going to get us to a solution.
Society being in a lurch between how we handle our physical goods and our digital goods is a very important subject that is going to get ironed out over the next few generations I'm sure.
That doesn't make it not theft, even if its' really easy to do.
Virtually every dictionary clarifies that theft requires intent to deprive the original owner from using the stolen item, which is incompatible with the act of making a copy.
As gp said, your points are valid, but you're using a word incorrectly. Just use a different word so as not to have dictionaries disagree with you. Copyright infringement.
It's not though. You could argue it is indirectly stolen from you by impacting your potential for future earnings, but please explain how the "direct" part of your statement works. Are funds withdrawn from your bank account when someone pirates a movie?
The workforce's income is contractually tied to the amount of post box office profit the film makes. When you steal a show you get the entertainment value without cost of your money. That is directly reflected in my income.
That's fair enough and I did not know that, and will certainly take into account when making future purchasing decisions, thank you.
But the bottom line is, it's just not worth paying for digital content for me, merely by knowing the fact that it's available for free. A file has no intrinsic value, why should I pay for it?
I'll gladly pay for an experience, or service, such as a movie theatre or a streaming platform that does the work of delivering content to me. But there is so much free stuff out there, paying to download the latest Batman movie is simply not worth it.
But what if I don't like Hollywood movies, consider them cheap crap, and don't care if more of them get made? I just want to watch them to see what everyone else is talking about.
But what if someone is not pirating instead of purchasing, they're just pirating instead of doing something else?
You need to consider that maybe the product you are producing is simply not that valuable.
I'm an artist myself. If someone took a photo of something I painted, and started making copies and selling them, yea I'd be pissed. That's what copyright law should be used to protect against.
If someone took a photo of my painting for their personal use, instead of buying one of the photos of my painting that I sell myself, I'd reconsider whether my business model of selling photos is the right one.
> But what if someone is not pirating instead of purchasing, they're just pirating instead of doing something else?
By "something else" do you mean "another activity instead of watching TV/movies/etc," or do you mean "watching TV/movies/etc, just via another method?"
If the former...who cares? That still doesn't justify it. Just because I chose another recreation activity instead of watching a movie doesn't mean that I'm entitled to the movie for free. Not choosing something doesn't have an effect on the price (at least on the micro level; on the macro level, this is of course the concept of "demand," but even if the demand is so low that the "correct" price is effectively $0, that still doesn't give you the right to steal it -- the Intellectual Property is still property of the owner, and they are the only ones who have the right to sell it or give it away, just as you or I have the right to sell or give away any of our property, be it a couch, a TV, a pair of shoes, an idea for a story, whatever. It's all property).
If the latter, what could possibly fit that criteria? You're either getting the TV/movie via official methods or piracy, there isn't any other way. It's binary. There isn't a way to get your hands on a film that is neither officially sanctioned nor piracy.
> You need to consider that maybe the product you are producing is simply not that valuable.
Not that valuable? Are you serious? We're talking about products that are considered "low budget" when they cost 1 million dollars to make and at best receive profits of hundreds of millions of dollars. The entire premise of this thread is that everyone wants to watch everything, they want access to everything (i.e. the demand is high and not going anywhere). They just don't want to pay for multiple separate services -- but only because they can compare to and prefer the brief, golden period wherein everything was accessible on Netflix and Hulu, back when they were the only two games in town and were a breath of fresh air compared to the expensive cable packages (which, might I remind you, people still paid -- economically, that means that the price is considered "fair" and commensurate to demand). Back when Netflix and Hulu were both unsustainably hemorrhaging money, I might add.
Paying for 100% of the streaming services now costs <= your typical cable package just 20 years ago, and that's not even adjusting for inflation. So things are still cheaper than they've ever been, with a not-insignificant raise in convenience and overall quality of the product to boot. Had we jumped from cable packages to the current situation, HN would be jumping with joy.
Just be honest: you want what you want, for as little as you can get it for. And that's fine! That's human nature. What's not fine is, because you can get it for $0 pretty much risk-free, you'll bend over backwards defending why doing so is okay.
(Comment too long for HN, continuing in the next one...)
you are making assumptions about the prerequisites. Talking about "income" implies that the person is viewing a show inside a form of commercial contract like going to a place where the show is displayed or buying a dvd or paying a streaming plateform etc…
Downloading a file (containing the show) from a publicly accessible server on the internet is completely outside of commercial contract so there’s no income in the first place.
Authorities can decide to make it illegal to download files from internet but it’s not "stealing"
Say A makes a film.
Situation 1 : B do not watch the film a do something else.
Situation 2 : B downloads the film from P2P network and watch it.
What is the difference for A ?
They lost a potential sale because someone didn’t have to pay for something.
This is obvious. It’s crazy how many of you are twisting yourself into logical knots to try to justify this action. It’s not murder, but it’s clearly wrong on its face.
I don't know; it seems there is a clear learned aversion to the word "stealing" but doesn't change the unethical nature of the crime is equivalent to stealing royalties deserved for the consumed work. I pirate some times sure but I do so with the understanding that what I am doing is unethical and try to avoid it.
Consuming media/entertainment is no human right and if it is too expensive/too inaccessible/whatever and you wish to be ethical, don't pirate it in the first place.
Humans have great difficulty controlling their impulses especially in connection to crimes that are undetectable and easy to perform but the honest will at least own up to what they do.
Yes, obviously. I really don’t see how one could possibly sympathize with this argument. Say I go to a bakery and I only “sort of” want a cookie. I’m not hungry enough to pay for it, so I just take it, and claim “I’m not actually stealing because I wasn’t going to pay for it anyway“.
You could claim it’s different with digital goods, but it’s not. Money still went into making that good (whether that’s software or a movie or even just a picture) and you’re still getting the benefits of owning that good without paying for it. Put another way, how does not caring enough about something entitle you to ownership?
So you are absolutely stealing whether you would “have paid for it“ or not.
What if most of my enjoyment of a cookie is looking at all of the pretty designs and crafty details on the cookies, and I don’t actually care that much to eat them. Is it stealing to go into a bakery and look at the cookies, then leave? I’ve gotten all of my enjoyment for free, after all!
You might be satisfied, but you only consumed a component of the work that the creator explicitly offers for free while refraining from consuming the component that requires payment. Just like browsing an art gallery: I'm satisfied seeing a painting in the gallery location, which is a freebie, and I don't care about also seeing it in the location of my choice, which has a price tag.
>Is it really stealing if they wouldn’t have ever paid for it in the first place?
>If it’s not easy to find and use on a subscription service that I already have, I’m just not gonna try to search for it or pay for it.
That is easy to say when you just take it for free regardless. I strongly suspect people saying that would actually pay for a decent amount of it if piracy wasn't an option.
And the number of pirate I know would plop down 15 bucks for a movies (since CAMs and TSs are terrible copies) but won't pay for a movie on VOD (since they can pirate it in clear 4k) confirms my suspicions.
This reminds me of the squatter issue and the claim that it's not wrong if the owner wasn't using it. This is only true if you have a vastly different idea of property (real and intellectual) rights that much of the country/economy is founded upon.
I don't pirate (out of principle), but I also basically don't stream because I'm a Linux user and your streaming platforms suck big fat ones.
If you want people to "stop stealing our shit", you should really address how crappy the distribution system is.
- Can't get it in __ country
- Can only watch it on __ closed-source devices
- Can't watch it offline
- A is only available on platform 1, B is only on platform 2, and I don't want either crappy platform
Anyway, as I said, I don't really watch movies much anymore, and haven't seen any of the ones on your IMDB page, I mostly play games or read books these days, but I'd probably watch more if the distribution system was better.
This is a valid complaint. I would tell you that on the many streaming services available for free like youtube, vimeo, etc. There is probably a small filmmaker who is making the type of show you enjoy. Finding them, providing value by first clicks and shares and eventually with income as they grow will encourage more filmmakers to make things you like.
Whatever chief executive that decided to create their own streaming platform for a price that's too high is stealing your money. They are the ones that made it more convenient to pirate.
How you worded that sounds reminiscent of mafia "protection". I assume that wasn't your intention, but that's how it read for me.
It seems to me like piracy of shows is tangential to whatever the root of the issue is. Folk are becoming disenchanted with streaming services. Whether they pirate or just stop watching instead, the services have clearly changed in ways that make them less valuable to consumers. Unless somebody figures that out, it's not going to improve. I doubt DRM is the answer, although a combination of higher prices and consolidated content might be. Folk would pay more for Netflix if it was still a "monopoly" with all the popular shows.
I think accusing folk of stealing money out of your pocket for downloading a video is quite hyperbolic and isn't winning you any arguments. You're trying to make it a moral issue, but it isn't really a moral issue, and nobody outside of the industry cares. You could claim that it's disrespectful to you as a participating member of society, and it probably is, but yelling at people to respect you more doesn't work, and has the opposite effect.
I think your point, though, is that it's a tragedy of the commons situation. The industry works as a whole because people are willing to pay a premium in exchange for entertainment. If people don't pay, then there's no incentive to produce. If folk value new entertainment, they need to support the industry that produces it.
If thieves are offended at having their behavior identified as stealing, they could stop stealing.
The problem, as I see it, is entertainment is being seen as a "good" and not a "service." Physical dvds and vhs has conditioned us to think that it's a physical good, so there is no harm in replicating the digital product. In fact that emotional state derived from viewing the entertainment is the service that is being paid for.
Taking the value of receiving that entertainment without providing the cash value of that service is stealing.
Make "cool things" overly priced, especially in a fucked up inflationary market manipulated by corruption and influence, where for the last several years everything costs more which is tangible and required to survive, (food, shelter, transport, employment)
Then the ephemeral luxuries, such as entertainment, begin to take a more relaxed position on our moral compass when one compares paying for entertainment services, vs, using funds for food.
I went looking for a la carte options for all the Star Treks. They really want almost $50 per season for DS9, a show that premiered almost 30 years ago. There's just no reasonable way to justify that but greed. I can't believe people like Stunting actually see much of that ~$50, and I think they're here fighting over people not giving them their scraps when there's no guarantee people are making a choice between paying $50, paying $10 to Paramount, or downloading a copy ("pirating" IP is a made up concept no one uses outside the world of RIAA, MPAA, and similar).
I love 90's star trek. I haven't watched anything past Enterprise and the Chris Pine movies because I don't have a CBS account. I could easily afford it, but none of the new content seems worth it to me, in terms of my time let alone my money. I'm not a pirate, and yet I feel like Stunting is upset with folk like me.
A significant proportion of 90s trek fans who have seen the new series would agree its not worth it.
I pirate-streamed the first season of discovery due to its lack of availability on other platforms. Felt like a 10 hour movie about a dystopian future with weak shallow characters rather than an episodic serial about the great people solving problems in a better society than we have today. Tried a few episodes of Picard and just didn't get into it. Neither were entertaining enough for my full attention, ended up watching on second monitor while playing a game.
I would feel like a schmuck if I paid CBS to subsidize this content: wasn't what I want more of in the world. There is no "voting with your dollar" in modern content delivery when you can't get a refund when a show ends up being a waste of time.
I have a very hard time taking Seth MacFarlane seriously as a non-voice actor. I keep hearing all the characters he voices, and that clashes with the attempts to play serious characters.
To you. The service I provide to society is entertainment. Perhaps in the dystopian sand planet of the future that won't hold much value but right now on Today's earth, entertainment is a service that is valued by society.
In the future, I suspect we'll still have storytellers for the same reason we do today. To Inspire, educate, and entertain. I cannot envision society with zero entertainment.
There's two (relevant) kinds of consumers here: Those who want access and those who want ownership.
Netflix was on a path to successfully serve the first kind, the only remaining problems being region locking and an incomplete catalog. Demand for piracy went down. Then the industry got greedy, made one of those remaining problems much, much worse, and now the demand for piracy is on the rise again.
The industry spends a lot of resources making life worse for the second kind, in a misguided attempt to both satisfy them and fully prevent the possibility of piracy. Instead they fail at both. The result is an increased demand for piracy.
> You're directly responsible for sucking the quality of life away from people who make your entertainment and reducing the desire to make things you enjoy. You're going to end up with shows that are AI generated CGI sponsored by Mt. Dew and Chevy trucks.
So here's the problem: The only way I can spend money to encourage the production of content I want is to buy a terrible, abusive product I don't want. It only plays in 720p, it's only available through a shitty app, it may disappear from the platform it's on any time.
All of it is just a wrapper for content. Please sell me the content. Whatever file comes out at the end of the production process, sell it to me.
Instead I spend my money in other places. Streamers on Twitch want it. YouTubers want it. People on Patreon want it. Developers want it. Somehow they manage not to abuse the people willing to give them money.
Well then let us pay for shit in a convenient way. Like OP said, if there’s something like steam or Spotify then I’d gladly pay for it. I still rent movies weekly on AppleTV because it’s a convenient experience. Geo gating, shitty compression and making us choose between n apps is not the way.
Also, we’re going to end up with shitty generated content regardless of my $10. If you’re making strong statements like OP is stealing from _you_, then go advocate for change. You’re in the industry.
> Well then let us pay for shit in a convenient way.
While this may be a way explain why the masses pirate, it's a poor justification for an individual to do it. If you don't find the available payment mechanisms convenient enough, then walk away and support a product that does have mechanism convenient to you. (For the same reason that you wouldn't steal from a store that only takes Amex.)
Walking away vs pirating has exactly the same outcomes for the distributor. The only person affected in a nonzero way from the transaction is me, positively. Stealing from a store that only takes American Express would result in the store having less inventory; what I have gained, they have lost. The same is not true of copyright infringement. The only time copyright infringement converts into actual quantifiable loss for the seller is if I turn around and sell pirated copies at a lower price, which is why that's the degree of infringement that turns it from civil to criminal.
Every single show or movie I wanted to watch over the last year has been an exclusive to some streaming service or other.
Amazon used to let me buy anything, and the Prime was there to entice me so I don't have to pay for individual catalog items, but that's not the case anymore.
Now I have a choice between:
1. paying for a crapton of streaming services so I can watch a handful of things I'd like
2. pirating
3. not watching most of the stuff I think I would like to watch
I'm not picking option 1 for what I hope are obvious reasons. I really don't want to pick option 2 because I empathize with people like you, who would be affected by that. For the moment, I'm picking option 3.
However, if you really want to "educate consumers", you might be more successful if you change your tone so it doesn't sound like aggressive victim-blaming. People like you and people like me are being screwed by a third group.
I appreciate you not pirating. You are only being screwed if you think you are entitled to the entertainment. You are not.
You have an option to pay for the service as offered, steal it, or move on.
Entertainment abounds in our society and is readily available at little to no cost all around you via local theater, open mic nights, libraries, etc.
The connivence of having that entertainment pumped directly on demand to your home is a luxury that has a certain value to it.
Currently that luxury is available via paying for the service or stealing it. The theft is relatively low risk, even by hilariously paying for a services that help hide your theft. That's the number one reason these services are being stolen.
Whether people are "entitled" to enrich their lives with art/entertainment or not is an interesting question in this context.
We're living in a society where a huge number of people has experienced a good solution to the demand for that enrichment, and that good solution has been deliberately sabotaged so that a small, rich group of people could become even richer at the expense of everyone else.
Just like you argue people are not entitled to art and entertainment, so I would argue that those who deliberately restrict access to it in completely unnecessary ways are not entitled to the additional profits they squeeze out that way.
As for the comments about luxury of pumping the entertainment to our homes instead of enjoying it at little to no cost at the venues you mention, I'm reminded of Arthur Dent being told that the plans to demolish his house were on display all the time. Suffice it to say that your vision of how the majority of people live is very distorted.
There is an inherent classism to "piracy is stealing" arguments: by gating access to culture, it effectively says "poor people shouldn't be able to participate in culture, because they don't have enough money"
"I'd like to steal things because I morally disagree with the rules to society that I am currently opting to live in. I could choose to move, address the change at a governmental level, or simply find my entertainment elsewhere but no. It is everyone else who is the problem. Therefore I take great offense to being labeled as a thief."
The first sentence is spot on. The rest is the distortion I was talking about. You demand empathy, but are unwilling to be empathetic yourself. In the end, you're the one opting out of discourse here, not the rest of us.
It doesn't ruffle my feathers at all. I've done my share of piracy when I lived in countries where that was the only viable way to get my hands on the information, art, or entertainment that was otherwise unavailable to the vast majority of people living there. And no, I'm not ashamed of it, and it doesn't offend me if you decide to label me a thief or worse.
What I was trying to do is have a conversation with you about why people "steal" or whatever the correct word for this thing is. Just like there are reasons people steal in real life, there are reasons for this behavior, too. You can try to understand it, or you can keep throwing everyone in the same bin, slap a label on that bin, and feel morally superior.
One of those two will lead to improvement for everyone. One of those two is easy. I'll leave it an exercise for you to figure out which one is which.
If you're rich and disconnected enough to just drop everything and move over entertainment choices, I'm not sure you're in touch enough to have any kind of perspective on the people you're trying to convince.
Hard lesson learned from years of trying to "educate" people on things that matter to me: you're going about it all wrong. I've seen your posts all through this thread. All you've done is beat people over the head with your perspective and berate them for not agreeing with you.
I don't think this is what you mean to do. I think you really care about this! Lay down your sword and listen. Hear what people are saying in response. Let their responses inform and refine your advocacy. You can't stroll in broadcasting an ideological, self-interested position and expect people to react well.
> Every time one a show is pirated, there is less incentive to spend more money on an entertainment spectacle.
I'm fine with this. Some of the best movies ever were made in the 70s, after the Hollywood studio system collapsed and a ton of money was sucked out of the industry.
While I agree with your sentiment, you can also make a better product. This is an easy fix with some of the smartest minds in the industry. People showed Netflix early on they were willing to PAY for ease of use.
100 percent agree. Voting with dollars is the fastest and best way to make better products.
The big studios know how many people are watching their stuff via theft. They are going to keep producting low end crap with studio friendly sponsorships, because piracy will have taught them that is a better business model.
Pay of the things you want to see and you'll see more of them.
> Pay of the things you want to see and you'll see more of them.
Where can I pay for a streaming service with no geo-blocking, no DRM quality limitations on Linux, offline viewing and all the shows/movies I want to watch? Seems the only way to vote with my wallet is to refuse to pay, which morally isn't really different to piracy.
Refusing to pay and refusing to consume is different morally from stealing.
I don't know where to find all those requirements. Perhaps they exist. If they are that big of a dealbreaker for you, don't consume the value provided by entertainment services.
When you decide that the exact moral high point is to consume the goods and services while still maintaining integrity about not providing the cash value asked of those things, you are justifying being a thief.
For one it's piracy, not theft. They are both legally and morally distinct. You're being deprived of a potential future profit rather than having a direct loss.
> When you decide that the exact moral high point is to consume the goods and services while still maintaining integrity about not providing the cash value asked of those things, you are justifying being a [pirate].
Correct, it is justifying being a pirate. The justification being exactly what you suggested: voting with my wallet. I want to watch a certain piece of entertainment, but it's producer has made it unreasonably unobtainable thus pirating it signals that it is both desired and that a sale was lost.
I think you're being angry about the wrong thing here. Consumers don't want to pirate; they are pushed to piracy by shit service. That's not a fault of the consumers, that's a fault of the seller. If you actually want to reduce piracy you should be advocating for better service rather than telling people they're stealing from you.
:) I know you're not yelling, more figure of speech. (did not mean to offend) But this is on HN where we allow pay-wall bypassing for all articles (which is also theft) so you wont get sympathy there. Like I said I agree with your sentiment, its just not the way to fix it. And I dont think it's a difficult problem to solve, especially from an extremely profitable and rich company.
Yet. I do have minor creative input depending on the production. When an audience shows they enjoy something I am able to argue more fiercly to include a similar thing into the next one.
When you work for the devil, don't be surprised to become collateral damage.
Thinking of all the stealing they've done from the public domain it makes my blood boil. Charging top dollar for artists work that have been dead for decades is a disgrace. How about "stealing" from the public and renting it out in perpetuity... Winnie the Pooh, anyone?
Most of the money goes to the top, and if you are going to throw around inaccurate/loaded terms like stealing, two can play at that game. 1%ers take a larger slice of the pie than street thugs but we are misdirected and situation quietly swept under the rug.
Wow I thought 2022 nobody would still be so 90s in this regard.
Most of those who pirate, wouldn't pay and since the content is not going away because somebody pirates it, it can't be stealing.
And Jesus...please...it's not like you're starving out there. Start producing original stories. We don't even need all that fancy and expensive CGI crap. Just start writing properly and in a creative way. Pay THOSE people more IF they deliver (though I'm not sure anymore if you really understand what's missing here with all your sequels and remakes...). We're not the audience you should cry to, go to those managers who messed up that market so piracy is coming back again.
This literally how the financial system is set up. Consumers provide money to a workforce that provides good and services that society enjoys. In turn, that workforce consumes goods and services providing income to a different workforce.
When you steal cool stuff, cool stuff stops getting made.
I'm super sympathetic that someone is not paying for you for the time you spent making the content (me, also a content creator) But, just a suggestion, you need to find a better way to put your message. As long as you call it theft / stealing you're going to get lots of push back because copying a movie is not the same as stealing/theft so instead of making your point you'll mostly get arguments about definitions.
I think your real anger should be directed at the studios that aren't fairly structuring your benefits and compensation, as well as the union that is not getting these for you.
My real and passionate anger is directed constructively at those entities. Today I am providing a face and a name to people who think "piracy isn't stealing"
Impressive list of movies! And a very good point you make.
NB: Your website loads pretty slow for me (I'm in Europe), and the video on the homepage is unavailable, it says.
We're on HN, so you probably know your way around websites. But let me know if I can help you with an 'internet friendly' website (quick loading, no third party code, stats without tracking, clear layout, beautiful styles, easy editing, and more).
Yeah - I have to admit, I was impressed with your list of credits...
I live under a rock and haven't seen many of them, but I really enjoyed 'The Accountant' and I'm a sucker for anything Spiderman/Marvel
The Acct was heavily provided by now Action Director Sam Hargrave, and you should look through his credits. He's most well known for Extraction on Netflix, but he's been doing it for a while. If you liked Acct, you'll probably like the other stuff he did before he was well known outside of our circle.
Thanks for speaking up about this from a perspective not often seen here on HN. It's really pretty weird that someone needs to explain to so many people that media piracy affects actual working people.
Direct your anger at your employer for not offering a product the market desires -- rather than at consumers who resort to piracy because the legal route is expensive, inconvenient, or nonexistent.
Our base pay is daily rate governed through SAG-Aftra CBA with the Producer's guild and scaled off the budget of the production. Then there are OT factors and bumps that go along with how difficult the particular work is.
Ugh. Never before have I seen a comment that I've agreed with so much but also wanted to yell at at the same time.
To put it really bluntly, pointing out how piracy is easier than paying again is not literally stealing money out of your pocket. The whole "lost sales" and "stolen income" thing doesn't always hold water, because you can't measure all the counterfactuals involved. A lot of pirates are either just data hoarders or collectors, and you aren't really in price competition with piracy as long as you are even slightly more convenient than it. Yes, that actually used to be the case for movies and TV shows, back when you could get access to everything you could ever want to watch just by subscribing to Netflix or maybe Hulu. Piracy was actually going away, right up until everyone pulled their content from Netflix to try and grab a larger slice of a smaller pie.
However, I don't want to actually trash your point too hard, because you did touch upon something worth talking about. I have noticed in HN and in other engineer-oriented spaces a certain contempt for the creative working class. I call it "kill and eat everyone below the talent line".
There's this weird meme that came about around the same time that the RIAA was indiscriminately suing casual pirates. Back then, some artists - usually ones at the start of their careers or doing it as a hobby - were distributing content over the Internet for free. In fact, some of them were even able to make money off of it through crowdfunding or advertisements without directly demanding payment to read, listen, or watch their work. So people made this assumption that this business model would be both sustainable long-term and scalable to large productions. Ergo, copyright is just an artifice of history, we can just abolish it, and the "real artists" will prosper while publishers and middlemen are out of a job.[0]
The problem is that "real artists" covers both the Toby Foxes of the world just as well as the Temmie Changs. Abolishing copyright beggars the songwriter in the name of the singer. A-list actors would actually survive and thrive in a crowdfunding-only market, because they have the name recognition to do so. But all the other people who support them would see their income shrink. And producers and publishers would just turn into the absolute worst kind of scummy for-sale pirates you could think of.[1]
The thing about piracy is that we as tinkerers and hobbyists assume it works exactly the same for everyone else as it does for us. I.e. me and my 10,000 friends all trade files around for free. Yes, a lot of pirates are data hoarders and collectors, but there's an entire world of bootlegs and knockoffs outside of the world of BitTorrent. For-profit piracy is far more pernicious than just the person with a Plex server, and it comes in a lot of forms you wouldn't even expect. For example, when Facebook launched their video service, there was an entire cottage industry of people reuploading YouTube videos and monetizing them on Facebook. This is the sort of thing that individual filesharers would not even recognize as piracy, but is absolutely immoral and wrong, and does pull nickels and dimes out of artists' pockets.
[0] The counterargument I'm making against copyright abolitionism does not apply to other things like shortening the length of copyright terms or adding more exceptions to it. Those at least still allow the existence of a creative working class.
[1] Fun fact: lousy speedsubbing jobs aren't just for modern anime pirates. Before we had international copyright, it was common for publishers to just take books published in other countries, translate themselves, and sell them before the original author could.
It is literally stealing money out of my pocket. Even if they don't watch it themselves, they will provide it free of charge or even for a personal fee I will never see to someone else.
The concept that Pirates wouldn't have paid for it anyway is valid. Part of my problem with piracy is that so much bullshit gets consumed that without stealing, those things would be much less part of pop culture and we'd have a lot better stuff to entertain us.
However for definition sakes. Taking a service that you wouldn't have consumed by paying and using it for free is stealing.
I don't know how to phrase this nicely, but this is precisely the type of Hacker News nerd-blindness that I find amazing. It's "easier"? Is it? For young children who want to watch their kids shows and don't know what 4k means? For grandparents who want to see some k-dramas and have no clue about DRM or geo-locked? Sure, Netflix has issues and it's made some bad decisions, but let's not delude ourselves here. The group of people who are comfortable pirating media and find it "easier" than Netflix is at least an order of magnitude smaller than Netflix's user base.
I'm sorry, I just find it really absurd when people claim something is easier when it's just not. Perhaps you find it to be a better trade off, but it is not easier.
It's not easier. I've got a BS in EE and am old enough to have downloaded episodes of the TV show 24 over 56k using early BitTorrent. I've successfully set up plex (which requires an in house server/spare pc), sonarr, radarr, usenet, etc. I'm probably the 99% percentile in ability to pirate. And its not easier than netflix.
90% of people I know probably couldn't set this up. And the other 10% would spend more time dicking around with the set up than they would using netflix or the other services.
GabeN is not correct. Piracy is a money problem. Free is very enticing.
I was at a friends house, he was starting GameOfThrones. I was like "you going to cancel hbo after??" He explained he was pirating. But! He is non technical (a nurse by trade). I was very confused asked to see his setup. He walked over to small black box under his tv. I was fascinated. It was a raseberry pi enclosure with hdmi out, it was prepackaged - networking p2p software for looking up stolen items, a UI better than netflix. All he did was take it out of the box, plug in the HDMI, and start watching UNLIMITED content on any streaming service I have heard of.
It’s a pretty famous quote and he’s correct. Steam has DRM aspects but is pretty seamless. It is entirely way more work to look for cracked games and download those than to just buy it on steam.
The UX is crap; the info architecture is obscure; it doesn't work well on macOS (or at all if I use the wrong file system); it uses confusing labels for the stash of stuff I've already bought. I don't use it often enough to know if my usr/pwd is still valid (it is, fortunately). It had some slightly odd 2FA type thing the last time I logged in. It just gives me the impression that it wants to hide games from me that I've already bought and to make new ones hard to find. I'd rather have discs in boxes taking up space (tbf I also collect vinyl so maybe I'm just anachronistic?)
The only good thing going for it is that it doesn't ever email me junk.
I was terribly skeptical to Steam when it launched, as I am to all online/hosted services. What if they just remove a game I'm using? Does all my games stop working if they turn off their servers? Am I really going to have to be online whenever I want to play?
But I gave in after several years, and now I'm a quite happy Steam user on Linux. It works as advertised, and the only issue I have is that I haven't found a way to filter games for «Linux support» and a genre at the same time. I've used EXT4 and BTRFS as file systems while using Steam, and never had any issues with that either.
I'm inclined to agree with Gabe. I've never spent as much money on games as after I got Steam. It makes it really easy to get a new game. Without Steam, I'd probably just go without. I have lots of things to spend my time on, and sometimes I'm even a little bit bummed that wasting time on games is an option on Linux these days...
You aren't the only one. Steam is DRM with good PR. Much of the goodwill gamers have for Steam is based on misconceptions, rumors, or delusions, particularly: "If Valve ever goes out of business, they said they'll lift all the DRM for the games I've bought" I've heard that from so many gamers it isn't even funny, it's a widespread misconception and it's obvious horse shit. Maybe Valve has or once had that intention with their own in-house games, but they wouldn't even have the legal right to do something like that for 99.99% of the Steam catalogue.
Even for the in-house games, you have to be naive to trust any sort of promise from a commercial software product that isn't in a contract. Notch supposedly once promised that Minecraft would eventually become open source; well that plan evaporated when Microsoft waved a few billion dollars in front of him. Maybe he meant it at the time he said it, but that doesn't count for anything.
I agree that promises from these companies mean nothing.. but how much of a problem is this in todays gaming market though really?
many new games are free and rely on in-game transactions tied to an account outside of steam
There are no restrictions on the games I bought through steam that actually get in the way of me playing them - and there are a lot of conveniences offered like having access to my entire library on any machine with steam installed, or playing the games installed on my machine pretty much indefinitely offline. And being able to verify my game files and have them automatically fixed / updated
The games i bought a long time ago and still play have more than earned the money i spent on them anyway. if steam dies and i need to buy them again, i will and i will be happy to. if i cant find them anywhere because the games themselves died, ill make an image of my PC before upgrading it or uninstalling them and play them offline in a VM
there might be an itch here or there i cant scratch for whatever reason, but i can always buy a new game inspired by the same genre which is usually more fun than trying to recreate a nostalgic feeling anyway
Valve makes a lot of money from the steam store. They’re not going anywhere. There are competitors like gog games that sell them without DRM. You download the games anyways so I’m sure a solution will be figured out if Valve starts to have issues.
Steam provides a pretty seamless experience for gaming, and it provides useful services to developers as well. Then you have things like the steam workshop and marketplace.
And for minecraft being open source: who cares? Gamers want games that are good and fun to play. There are very few open source games that are actually fun to play.
Well, the huge dicourse in consoles atm is digital and ownership. There were several scares over the years (some that went through, some that backpedeled) on storefronts closing down and no longer being able to buy older games as a result, in a market where retro gaming is being flooded by scalpers selling stuff at 20x markups. Console players are feeling uneasy with the advent of there being "digital only" variants sneaking back in, and cloud gaming is getting bigger each year.
Maybe this is just a cacophony of old fans not getting with the times, but it seems like a signifigant enough sentiment that "so what" seems overly dismissive.
>And for minecraft being open source: who cares?
older minecraft players apparently. Granted, it hasn't really stopped their creativity and servers, so in practice it doesn't change much. But I wouldn't be surprised in some microfose move years down the line angering that playerbase.
Again, an oddly dismissive take for something that has historically happened. It's easy to say "I don't care it's convinent" until it isn't.
Granted, you have to buy the game to make use of these open source engines legally. But these open source engines free you from the limitations of DRM, Windows/Wine and run better than the original engines (support modern resolutions, innumerable bug fixes, etc.)
Our use-cases must be vastly different. steam is actually one of the few applications my friends and i talk about as having good design.
I've been using steam for over a decade and have always enjoyed that it works the way i expect a computer application to work. i can right-click on things to get to their properties and other options, i can point it to games i have installed that i didnt buy through steam and they appear next to my steam games in my library seamlessly
the store UI is.. not the most intuitive thing for me, but it seems consistent. it is very rare that i am browsing steam store to begin with, though. I am usually searching for a specific game directly, which i never have trouble finding if it's in their collection. I also like that i can add any games im interested in to a wish list and they notify me when it's on sale
i used to edit my settings in a config file in counterstrike, which required "tampering" with local files but in a way that ultimately resulted in compliant files. Finding that file was an obscure path to navigate, ill give you that - but again the organization is still consistent. all files for one game can be found in one folder with the games name on it. you can manually delete that folder and effectively uninstall the game. you can even do a custom reinstall by selectively deleting files from that folder and ask steam to replace the missing items and it will. For example, to reinstall a game without losing your save files.
Not trying to invalidate your experience, but your comment caught me by surprise because your dislike seems to be well rationed and thought out - ie genuine - so i just found it interesting
I'm curious how old you are. I remember the days of when you had to travel to a brick-and-mortar store to purchase a physical copy of a game (if it was in stock). Then, you travel home, install it, and play it, saving your local saves on your computer, backing them up manually on an external drive so that you don't lose your progress in the event of a system failure. Oh, and writing your CD Keys in a notebook, and carrying that with you (along with your physical games) wherever you move. I don't remember how patches were managed, but I don't recall there ever being a 'day-one' patch of fixes, or being one message away from the developers.
No, you are not the only one. Fellow macOS Steam user here. Whenever a game I'm interested in comes out, I first go to the AppStore to see if it's available there, then to the developer's web site, and only as a last resort to Steam. The UX is some of the worst I have to use in a given week. It constantly shows me games that don't run on any system I've ever used (Windows exclusives, but I've never used a Windows machine since I signed up for Steam, for example). It's just awful all around.
I love steam. And the revenues from steam allow valve to experiment and explore (and support my favorite esport Dota2). The Valve Index and Steam Deck would not exist were it not for revenue from Steam. Not to mention Proton. As long as they keep doing interesting things, and allow me to play the games I buy offline (which they do), I will continue to be a Steam fan.
I don't hate it, but I'll admit that the Valve worship is some of the most cultish I've seen in video games. To the point where I feel gamers work against their best interests whenever they see a "threat" to their beloved library not having every game in history under one launcher (nevermind that Steam users can add non-steam games to their virtual library). You'd think Youtube and even Spotify lately would show the dangers of lumping all your eggs in one basket.
But, I will also admit that I'm a bit biased against steam due to using PC's for a lot of Visual Novels. And their VN submissions have always been a lottery of some sorts, to the confusion of readers and developers alike. Nothing worse than having an existing product on the store and then suddenly having a sequel to the product rejected, while the first product still sits on shelves.
>the other problems are personal preferences that aren't universal
few things in life are. But we're on the internet, so we inevitably here a lot fo "personal preferences", often exagerrated to the point where it sounds like it's the worst thing in the world.
GabeN is partially correct: It's a money & service problem. It's money for some, service for others, sometimes a bit of both. During college I had no money, so the issue for me was money. Once I got a job after college it was service: I didn't want to drive to music store & hope they had the CD in stock that I was looking for, not when I could definitely get it in 5 minutes online. Similar issue for videogames: I didn't want to spend $30-$60 for a game I couldn't return, when my computer might choke on it & not run or if half an hour in I realized it was crap. On top of which I might have to drive around to half a dozen stores to find a copy. That was a mixture of service & money.
These days it's faster for me to pay $1 for a song than pirate it, and I can instantly buy, download, and return a game in an hour if it either doesn't run or I hate it immediately.
Free is enticing, but so is convenience & instant gratification.
I think there is some merit in piracy being a service problem. There are certainly a number of situations where I just seek out a less than legal solution because there is no legal way for me to buy some media. Be it language barriers, region locking, license expiation, censored/rejected media, etc.
However, people professing this quote everywhere should note that it's very hard to compete with "free infinite media" for those with the knowledge to pirate. So don't be surprised if instead of catering to that crowd that they instead focus on people who can't or don't want to pirate. It's a double edged sword. If I do pirate, I don't pretend I do it in some effort to make the product better. I do it accepting the risk that they may never choose to cater to me.
I almost exclusively pirate movies and tv series from pirate bay. I would have no problem paying $20 a month for that service as-is (TPB + torrent network), as it's better than the currently available alternatives.
Not a money problem. I have a Netflix subscription, and yet end up going to pirate websites more and more often these days. I'll probably just cancel my Netflix subscription.
It's so frustrating to see that 90%of the shows I want to see are unavailable on Netflix. Video streaming is just so fragmented right now. And they try to compensate with a bunch of low quality Netflix original shows.
Why can't they just replicate what has been done in audio streaming? Spotify is what Netflix should have been. It's been years I no longer need to pirate music.
I would gladly pay for a service I am currently getting through piracy if there was a legal way to have it though. Availability of all content, no geoblocking (I live in a country where Disney+ and HBO Max is not available but I do pay for Prime and Netflix). For me if there was a way to have what I'm getting in a legal way I'd go for it but it is not an option. What I'm getting at is that its not a matter of money/pricing its also a matter of convenience, availability and not having to track 4+ subscriptions and apps when you can watch it all under a single platform.
that's where the "service problem" sentiment falls apart. All companies want to be this monopoly for you with no red tape over multiple governments. But of course, companies get the best cuts (100%) from hosting it themselves and countries (and media licensed) will never agree on what's okay.
In this case, piracy is a way around a world that hasn't quite caught up with how the internet works yet. I wonder in a few decades if governments worldwide create enough enforcement on this for it to be just as inconvinent as trying to steal a CD.
I have a shared folder on my home network where I download stuff from 1-click hosters with jdownloader. I get the links all on one platform.
I got that money. I paid for Netflix once but now I can't remember the last show I watched made by them. Instead I'd have to pay for at least 3 other platforms to watch those few shows I watch throughout the year. Sometimes I'd even have to use a VPN to get it in the original language.
It only is a service problem for me.
(there is a bit revenge for their inability to provide a single platform in there too)
For me, it's that I want a significant portion of a piracy set-up for things that I can't get at all (4k actual original Star Wars trilogy, certain shows with the original soundtrack rather than a worse replacement, some obscure pieces of media) or for things I consider likely to disappear any time (YouTube videos) so if I'm going to have it anyway, I may as well also use it to avoid the "where the hell can I watch this?" shuffle. I do also pay for several streaming services.
> GabeN is not correct. Piracy is a money problem. Free is very enticing.
A service problem and a money problem are almost the same thing. Time is money, and I value my free-time very high. People will pay to not have to spend time to find the free.
Check out jellyfin it runs fine as a service on the users PC. You create different directories for TV shows and movies and drop files in and they show up shortly after.
I got a $25 Fire TV Stick and plugged it into the back of my TV. I push 1 button and everything powers on and Netflix, Hulu, or Disney+ launch automatically. Any other service is a couple button presses away. All in 4k. (Well Hulu is upscaled)
I never have to leave my sofa. I don't have to dick around with plugging and unplugging my PC. No keyboards to manage. No OS or software to keep updated.
Your solution is easier than some other options but I'll stick with mine.
I too wish I could have a laggy experience with a bad interface requiring me to pull out my phone and search for which of the several services I pay for have a particular piece of content on my phone then slowly navigate to that service then try to enter the search term character by character by moving a little cursor to each individual character with my remote.
Then have a firmware update ad some advertising to the experience.
Sure beats my experience of pulling out my 12 oz keyboard plus touchpad bluetooth keyboard connected to a real PC.
It is extremely tired as well. Any time there is a post about Netflix, or some streaming service, I always predict there will be someone in the comments section talking about their “sweet, open source Unix based media server” and how much better it is.
It would make it quite suspicious and weird if the most obvious solution to the problems which are often the content of those posts, wouldn't have been posted by somebody in the comments.
Exactly. I’m a 59 year old man who knows how to pirate, but watches his content from streaming providers because it’s simpler and safer, and I don’t like to steal. I don’t think piracy is what’s killing them. It’s that there are too many streaming providers and people don’t hesitate to drop subscriptions. I tend to subscribe when there’s a deal, watch everything I want to see, then drop it and switch to another one for 6 months. And I’ll bet I’m not alone.
I'm a 60-year-old (Do I win a kewpie doll?), and have the tech chops to pirate, but I don't want to.
It's important for me to live a life of Personal Integrity. That stance gets a lot of chuckles with this crowd, but it's of critical importance, in my life.
I'm fortunate, in being able to afford streaming services, but find the profusion and variety to be a mess.
I like AppleTV Channels, and the way that the AppleTV Watch Now app aggregates the apps. Amazon has something similar, that my wife uses.
Unfortunately, it looks like these knuckleheads can't agree on common licensing models. I don't want the "You can have any color you want, as long as it's black." approach of cable bundlers, but I also don't like the myriad ways of subscribing, or, quite frankly, the ever-changing prices.
I even have Plex set up with (mostly) ripped DVD content but I still subscribe to a few streaming services and buy/rent a la carte now and then. The fragmentation is annoying but subscribing/unsubscribing is pretty low friction. Though I wouldn't be surprised to see more discounting for longer subscription terms.
Of course, what was (past tense) also annoying was paying $100/month for a cable bundle that I rarely watched.
It's also the case that I have access to a ton of video and don't consider much to be "must see."
And to the topic at hand, I may very well cancel Netflix one of these days. There's some stuff I haven't watched yet but after I get through that I may well drop it.
I think it's true in the same way that Media companies feigned that everyone was pirating.
If it's just as fringe as you say, and i agree, then we shouldn't entertain the idea that media is (or was, in early 2000s before Netflix) losing that much money to pirating. As i'm sure now that people start migrating to less legal avenues for digital media we'll start seeing a resurgence of cries over lost profits due to piracy.
It's not that everyone can or wants to run their own Plex setup, it's that the Plex model, once set up, is much more consumer-friendly: Get the shows you want, don't care about the distributor. It's probably naive to think that would work for a bunch of reasons (Who exactly runs this? Are they a for-profit monopoly now? Who will fund the content if there's no monopoly rent?) but I don't think it's crazy to imagine a service that works more like it. We went to all the effort of unbundling cable and now we just have a different set of bundles. It's a little better, but they've fallen back on old habits.
When it was still called popcorn time I used it. It was easy to use, but it was far from being as reliable as any other commercial streaming service. Buffering was very common and subtitles were missing or would de-sync a lot.
people forgive a lot of hiccups and quality issues when the service is "free". I see the same sentiment in the emulation scene where people will in one breath call a game "playable" despite weird graphical hitches, slowdowns, and crashes. And in the next breath berate some remaster because it dips under 60 FPS in a few moments of gameplay.
Wow, there's a "stremio" button on my TV's remote control? I can't find it. I have a feeling that the definitions of "difficult" and "literally" are unknown to you.
> Using a pirate streaming service such as stremio is literally no more difficult than Netflix.
Nope. Just tried it. Literally not. It gives me the option to play movies, but nope. Can only play trailers.
There are addons, but they seem to use Torrent. I have no interest in streaming up to other people and redistributing the data. Is that set up automatically, or does it reuse my internet connection without informing me?
Also, with Netflix, I don't have to worry about copyright issues. Does streamio make that as easy?
None of this sounds literally as easy.
And again, literally cannot play a movie I can easily play on Netflix.
> The group of people who are comfortable pirating media and find it "easier" than Netflix is at least an order of magnitude smaller than Netflix's user base.
This view is very US-centric.
In most of the "rest of the world", netflix either doesn't exist or has a very very limited show list (even here, in a relatively developed EU country), and piracy literally is the only way to get a lot of the very popular shows.
And if you already pirate 3 of the 5 shows that you watch, why would you pay for the other 2, that are available on netflix, if you can just pirate those too?
I don't mean to be rude, but in the grand scheme of things the other countries don't quite matter as much, financially speaking. And those smaller parts of the world pirating isn't a big loss. Similar to the video game industry in Japan; some games may get an overseas following, but if the domestic market is slacking, that studio may not get the chance to make a sequel for those overseas fans.
So back to the US-centric sentiment: American audiences don't have the excuse 99% of the time of "this content is region blocked in my country", so the sentiment here shifts to "I don't want to manage 4 streaming services".
Indeed, pirating is very much an all-or-nothing solution. Torrenting your first movie might be difficult, but the second time it's easy as pie.
In many ways, pirating is like any subscription service: signing on is a difficult decision (whether financially or technically), but once you're there and all caught up with the UI, using it again is the default move for watching your next show/movie.
In my country (slovenia) there is a very good local torrent tracker + a lot of people use the few larger general torrent sites, and even "grandpas" can use them, if their "computer-savy" kid installs them a torrent client, and shows them where to search.
In you go further down the balkans, you can find full movies even on youtube, especially local ones (because youtube doesn't remove them). Not that long ago, you could also buy or rent pirated cds/dvds literally from street vendors and "movie clubs" (think blockbuster, but smaller, more local and pirated).
As an amusing anecdote, my parents live thousands of miles from me. The last time I saw them I set up a Raspberry Pi with XBMC (yeah, that long ago) and a flirc IR receiver for a remote, hooked it up with local network, and an external hard drive that has a battery-backed power source. I then `dd`'d over the image onto 5 SD cards and left it with them.
Since they're in a low power-security environment, there's a lot of unexpected on-off cycles. Anyway, the whole thing still worked for them until recently and as things started failing (as they inevitably do with this max jank thing I've made them) they just figured out how to work with it.
At first, they ran out of content, so they learned how to go get it on ThePirateBay and find the right mirror.
Then OpenSubtitles (which was integrated with XBMC) stopped working on it for some reason, so they would go manually get srt files and stick them on the USB drive (visible over Samba from the network).
Then as the local external drive started failing, they used the home desktop's samba mounted drive (that I'd set up earlier).
Hilariously, the gradual collapse of the system seems to have worked as a natural training regimen, and now they're fully equipped with knowledge. So now they've got one of our old desktops in the living room hooked up to the TV, a small bluetooth keyboard lying on the coffee table, and watch pirate video on the TV.
The whole thing is positively comical because I pay for all the services so this isn't necessary at all. But availability is not complete and I'm sure it tickles them to be able to do this stuff themselves.
Anyway, thought it was a funny story. They're in their late 60s but they're doctors and last I knew, not particularly tech-savvy, so I am both proud and highly entertained.
I come from country where intellectual property was treated as a western joke.
Children younger than 10 learned how to pirate - by themselves, without knowing even English.
A lot of people still can do that, and it's quite easy to find out how.
The thing that all these everyman-boosters that have invaded and gentrified tech seem to forget is that people are capable of learning, and with the right motivation, they will.
“It's easier just to pirate than keep up with all these streaming services.”
Which seems false on its face. Every TV has access to all these streaming services built in. Or Roku devices, which take moments to set up. This is unrelated to whether people are capable of learning, but I am even bearish on that when it comes to the average person in the current piracy environment.
> Every TV has access to all these streaming services built in. Or Roku devices, which take moments to set up
You mean those same TVs and devices that plaster your screen with ads, arbitrarily modify the UI, suddenly make certain shows unavailable, spy on what you're watching, require unwieldy DRM, take minutes to turn on, interrupt your relaxation time to run "updates", randomly brick themselves, become obsolete in a short several years, and generally dictate your experience based on short-sighted corporate whims? Visiting someone else's house and seeing the garbage behavior they put up with from their "smart TV" is as mindblowing as seeing someone using a web browser without adblock!
"Piracy is easier" refers to the experience after you've gone through the work of setting up your own entertainment system. Setting it up certainly does require an investment of time and self-actualization, which for sure is more effort than searching "netflix" and following their "conversion" path. But after that, things just generally work without all of the corporate hassles. I don't foresee everyone choosing to make running a libre media setup one of their hobbies, but most people will know someone who has...
>"Piracy is easier" refers to the experience after you've gone through the work of setting up your own entertainment system.
and the thread here as a whole is rebuking the argument that Netflix is losing money because people are pirating. Most people don't or can't go through this work, so that likely isn't the reason why Netflix is seeing drops.
I agree that piracy likely isn't responsible for the larger immediate trend. But from the perspective of someone with a libre media setup, all these streaming/DRM/lockdown tribulations are like watching a storm from inside a warm house with a hot cup of cocoa. Especially on a technical forum where people should know better than to succumb to corporate ploys, its worth reminding everyone of that. And my comment did imply the end game for "most people" - technical friends/family running seedboxes and sharing them up.
Current market wise, I wouldn't be surprised if the Netflix situation is people canceling their membership to spend that money on a different streaming service, and then swapping between friends to get the union of shows for a similar $/month. This would explain both pushes of membership going down, plus them wanting to crack down on sharing.
>But from the perspective of someone with a libre media setup, all these streaming/DRM/lockdown tribulations are like watching a storm from inside a warm house with a hot cup of cocoa. Especially on a technical forum where people should know better than to succumb to corporate ploys, its worth reminding everyone of that.
ehh, It's more like a speedbump than a storm. There's too much money in the game for it to end up being caught in a hurricane.
I just see the other side on how piracy can also harm more niche mediums and discourage businesses from even bothering to compete, which is why I can't even say piracy is a 'meh' at worst.
The manga indusry outside of Japan has this problem in that it's 5+ years behind the already decade outdated online solution for digital comics. Several JP storefronts for phyical and digital manga, but that is almost non-existent in English. Manga is fantranslated so fast that there's no incentive to bother having official localizers outside of the already huge works. Easier to cash in pennies on anime adaptations and merch sales afterwards.
I have a friend who pays $15 a month for a dedicated seedbox, with 1-click install of a browser-based torrent app + plex. He set up plex to use the remote torrent folder, then anything he downloads gets immediately listed on plex, streamable anywhere, supports chromecast, etc. Pretty cool and a _little_ harder than using a proper paid streaming site, but not a different order of magnitude. Hardest part is finding the seedbox company and also tracking down the right torrent for the show (the choices can be overwhelming).
This is why we need an Airport Hub model for media consumption hubs, like Plex. (Which is what Cable TV started out to be: We provide the infrastructure to get the signal into the home. You, the media-company, pays to land your content at our hub so that our subscribers to our infrastructure can see your content.
There are lists of how much it would cost to have all the streaming services, and for a LONG time, it was illegal for cable companies to prevent you from selecting the channels you would like a-la-carte... but it did NOT prevent them from charging too much for each channel to make that an unworkable...
"You want JUST HBO? Sure, no problem, if you don't buy it in the bundle, the individual channel cost is $29 per month!"
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That is THE failure of "regulation" ; THE GOVERNMENT WILL MANDATE THROUGH LOBBIED REGULATION THAT ONE MUST HAVE THIS [SERVICE] - HOWEVER, WE WILL NOT REGULATE HOW MUCH YU CAN BE CHARGED FOR THE SERVICE, BUT WE WILL FINE AND PUNISH YOU IF YOU DO NOT HAVE THIS SERVICE.
I can agree it isn't easier for those who don't know it. It's like saying the CLI is easier than a GUI - sure, for you.
The things this person lists are things I agree with, however. I actually have Amazon Prime Video but still enjoyed watching my friend's pirated copies on Plex, because there is no way to force-disable shitty compression levels, even if I have gigabit Internet.
Also, my friend can make sure their video library never changes or goes away, and that certain rarer content is archived forever, not subject to the changes of George Lucas or Disney editing out "problematic" content.
Agreed. While the *arrs are "easy" to set up once you have good knowledge of Kubernetes or at least Docker Compose, that's not exactly common. If you're using the native Windows clients, there's a pretty good chance you don't have a NAS set up (or at least not well), which means there's a decent chance you'll eventually have a hardware failure, and then be surprised when your media is suddenly gone.
ZFS pools with full backups, redundant hardware, and highly available servers is not normal.
You can run a media service for example jellyfin on the same PC as the client.
Installers are a thing on windows, on Ubuntu you can install software with apt. It wasn't packaged for my distro so I downloaded an archive unzipped and dropped it in /opt
Not sure why anyone would absolutely need to understand Kuberetes or even docker.
Plugging a PC up to a display has been a better TV for a while now.
Sure it is a magnitude smaller but it was even smaller a few years ago and streaming pages where you don't have to download a movie first are quite common and popular within the non-technical audience and they become even more popular.
I'm sure the industry will come up with new ways to intrude on the internet again to stop this before they get together to make another platform which would allow the audience to download everything in one place.
It's amazing isn't it? Like people really think streaming services should care about mpv filters as a real use case for their customers. Incredible stuff.
Most of my friends have no idea what Tor is. Many don't know the Pirate Bay, and most of those who know bittorrent haven't configured it to get past their firewall.
But you know what they do know? Turning the TV on, going to Roku, searching for a movie/show, and watching it in whatever app Roku suggests.
I've yet to explore Tor. Are you saying there's a reason I shouldn't? I mostly just want to see how my own sites perform, and haven't gotten around to it yet.
You mean the kids who don't buy all those streaming services? Or the grandparents who don't buy all those streaming services? We agree, not having to deal with all these streaming services is easier than having to deal with all these streaming services.
But if we're talking about the people who are buying all the streaming services, it's currently easier to pirate. I get that you haven't taken two seconds to do any amount of research on the matter and that complete lack of any experience whatsoever gives you a sense of expertise to call other people blind and absurd, but consider that maybe you just don't know what you're talking about?
Well now only a fraction of content is on Netflix so if one compares the time cost of spending 2 hours doing so once this decade vs spending $200 a month for everything from live TV to Disney.
The easy option will cost you 24000 over 10 years. If you earn 20 bucks an hour or less like near half of America this represents an additional 1200 labor hours or a full time job for 30 weeks.
There are also tons of benefits to just walking out of the grocery store without paying. No queues, no small talk with the checkout person and you save cash too.
The apples haven’t got any better lately, and they now have a DRM coating which prevents your photos working. The coating is a continual irritation to apple eaters. There is also a terms of service for apple eaters to sign.
False equivalence. 0 marginal cost of replication doesn’t mean that the item is valueless. The creators have a right to be paid for their work. Just as you’d be working your rights to charge people to look at your apple picture.
- You get the benefit of high quality (true 4k, not stream compressed "4k") and no buffering.
- Plex, Radarr, Sonarr automatically downloads and categorizes your content for you, you can just sit back and enjoy your content.
- You can use whatever media player you want without having to go through a browser and its DRM. I use mpv and filters like Anime4k to automatically upscale my content, something that I cannot do via a browser or otherwise without the physical file on my hard drive.- You're not geo-locked to content, just because you're not in the target country doesn't mean you wouldn't want to watch it.
- Oh, and you can share with as many of your friends as you want without a restrictive password sharing penalty like Netflix seems to want to start enforcing.
Now, what would be a good model to stop such piracy? Something like Steam or Spotify but for movies and shows:
Perhaps a paid Plex server where I get all content from every distributor for a flat fee, and the service provider can then pay out to each distributor their portion of my subscription based on number of views. I retain access to the physical files without DRM so that I can do with them what I want, such as applying mpv filters.
Hell, it's probably in the best interest of all distributors to band together because clearly everyone having their own subscription service is a race to the bottom. See Netflix here struggling to make original content because major distributors like Disney and Paramount have already left. See CNN+ that shut down one month after starting. Due to the tragedy of the commons, where each distributor thinks they can make more money via starting their own service, this hypothetical new service would have to be some sort of joint venture between them all so that no one is incentivized to start their own.