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I don't think it's just the visual element. I mean Scarface looks pretty terrible by the end of the movie, and people idolize him. I suspect it's more that stories are now told purely for short-term entertainment value. We don't focus on the substance of the story or the moral, we focus on the kind of clips that end up in a trailer. You see similar trends in popular literature too.


>I mean Scarface looks pretty terrible by the end of the movie, and people idolize him.

You got the wrong idea. I don't think anyone idolizes Tony. It's a great movie and Tony is a great character and Scarface tells an interesting story, not because the protagonist made himself rich. Same as Godfather, I like it and I like them not because they are rich, but it was because they made interesting choices. Let's talk about Scarlett in Gone with the wind -- was she rich? Was she poor?

Recently, I listened to Shit Town and it gave me an everlasting impression on me. The main character in the story was a very poor man. I liked him -- not because he is poor either, but because he is interesting.

Who cares about whether the character is rich or poor, the character's background is merely a medium to tell the story. Being very rich or poor or desperate is just a convenient choice to get the story flowing because the characters in such extreme circumstances tend to have interesting experiences and choices.


>> It's a great movie

It's a horrible movie. Terrible acting, no story, shallow characters, it's almost a parody of the Miami drug scene.


>You got the wrong idea. I don't think anyone idolizes Tony.

If you'd like I can provide a short list of rap songs about selling drugs which contain lyrics positively representing scarface/Tony. People idolize him. He's a self made man who took what he wanted. He's betrayed in the end, but plenty of people look at that as the actions of outside actors and not the consequences of his behavior. I'm not going to go into possible alternative analysis for Tony's character/the events of the movie in which he's a heroic figure betrayed by Sosa and the government (which can also be viewed as a bad guy in drug culture), but it's there.

TL;dr- There are people who aspire to be Tony, understanding full well that Heavy Weighs the Crown.


I do wonder, though - do people want to be Tony end-to-end, or do they just like the middle and think it wouldn't end that way for them? Even a visceral, horrid ending is easy to downplay when it's just on a screen.

I mean, what does Jay-Z have to say about Montana? Fuck Sosa, this Hova this is real life // This is what the ending of Scarface should feel like. Because he's better than Tony, and he's going to make it all work.

There are definitely people who idolize the Achilles bit, living gloriously and briefly, but I feel like the most common reason people celebrate that is that they get to downplay the messy ending.


Haha, if you'd like I can provide a short list of rappers named after Scarface/Tony


Sorry, I think I expressed what I meant the wrong way. Not that no one idolizes Tony. What I meant was not all the people who liked him and liked the movie idolize him. I liked the movie not because he was rich or someone to be idolized.

>but plenty of people look at that as the actions of outside actors and not the consequences of his behavior.

That's the recipe for a great story/a great movie: The great moment in storytelling is when the viewer/reader starts to see the world as the protagonist sees it. The viewer stopped caring about whether the protagonist was objectively right or wrong/moral or immoral, the viewer starts caring more about whether what they did given the situation make sense or not.

That is - given the situation, could/would you have done the same? The answer for me in the cases of Tony Montana, Scarlett O'Hara, Michael Corleone were a really convincing yes.


Yeah, I've always found idolising scarface a little strange. Likewise, I find it odd when people go around wearing t-shirts with Che Guevara's face on them: I mean, the guy's allegedly a mass murderer. Kind of an odd hero to pick, right?


Just about every revolutionary hero is a mass murderer, from Che to Mao to Stalin to Churchill to Washington.

And not everyone knows all the history of symbols.


There are some of those names who killed civilians in bulk, and some who killed enemy soldiers — and most people would hold that there is a moral difference.


Did Washington kill civilians? He was a slave owner. Not sure mass murderer is on the money like it is for Stalin and Mao. Don’t know enough about Che.


Does destroying houses and food supply so that civilians starve or freeze to death count? If so, yes. See the Sullivan Expedition.


During the Revolutionary War both sides committed a number of acts that would be recognized as war crimes today. Washington destroyed Iroquois villages, true, but keep in mind that the Iroquois supporting the Loyalists were outright scalping and murdering civilians. I think you would find little argument that destruction of property, while a bad thing, is a lesser crime than actual murder. Nobody played clean in that war.


>Not sure mass murderer is on the money like it is for Stalin and Mao

umm. Andrew Jackson... look up the trail of tears


His house still looks nice, though.


Your observation sounds like what Daniel Kahneman described in his book: Thinking, Fast and Slow as the peak-end rule [0].

[0] https://en.wikipedia.org/wiki/Peak%E2%80%93end_rule




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